Portfolio updates

I’ve updated my portfolio with a selection of the many consumer and b2c pieces I have written and designed. You can take a look herehttp://www.skylightrain.com/need-some-words/

When I’m not wrangling with fictional characters, I’m working as a brand engagement and communications manager, copywriter and freelance features writer. Clients include charities, not-for-profit organisations, authors, artists and businesses.

I produce and manage implementation of content strategies, write and edit a wide-range of content, produce newsletters and graphics, organise events, populate websites, advise on branding, and launch or revitalise social media channels.

If any of this sounds like something that could help you, drop a line to judydarley@icloud.com

A Christmas love story

Red yarn by Judy DarleyMerry December! As we hurtle towards Christmas, I thought I’d share a festive tale from my collection The Stairs Are a Snowcapped Mountain (available to buy here). It’s about the beginning of a Christmas romance, told from the POV of a rat….

Click Clack Twitch

I watched her emerge through the office’s gleaming glass door and hurry to the bus stop, pulling on her mittens. With a flick of my ear, the electronic sign glitched, showing false news of all buses running late.

She pursed her lips and settled on the tilted plastic seat, drawing her knitting from her bag. Click clack, click clack – the sound made my whiskers twitch.

The harrumphing bus drew up, and she leapt aboard, flustered by the prompt arrival challenging the lying sign.

One glove dropped in her haste. I waited till the bus was gone and then rescued the fallen mitt; swept it in my teeth to my children’s nest beneath the waste storage container.

My three children took to their new bed with squeaks of joy. Tell us again, Mama, tell us again about the princess who lost this glove.

I told them of her beauty and her radiance and how she worked so hard each day inputting data and dreamt-away each journey home knitting scarves and gloves for the love she’d yet to recognise.

While my children three slept snug in their bed, I crept onto a bus – the same bus repeating the route that carried our princess from shining glass door to blue-painted door. Crouching on a windowsill, I watched through the glass as she upended her bag on the floor: yarn, knitting needles and all.

In vain, she searched for the dropped glove that now lined our nest.

Her flatmate entered at that moment. She stood as short as our princess stood tall and was as fair as our princess was dark.

What’s going on? she asked, and our princess sighed and spoke of the mislaid glove.

The flatmate took the princess’s cold hand between both of hers and kissed it.

The princess blinked, startled. But you…? But I…?

But we… the flatmate answered, and both beamed like the stars rising behind me.

I scurried home, glad of a happy beginning to tell my children three.

 

Submit your words to the Moth Poetry Prize

Moth by Judy Darley

The Moth Magazine invites you to enter the Moth Poetry Prize. The deadline for entries is 31st December 2024.

It’s one of the biggest prizes in the world for a single previously unpublished poem on any subject and is open to anyone over 16.
The prize is judged anonymously by a single poet, and this year that poet is Fiona Benson.
Fiona Benson is the author of four poetry collections: Bright Travellers, Vertigo & GhostEphemeron and Midden Witch (forthcoming). All three of her published collections have been shortlisted for the T S Eliot prize, and her books have won the Forward Prize, the Seamus Heaney Prize, the Roehampton Poetry Prize and the Geoffrey Faber Memorial Prize.
In 2024 Fiona received a Cholmondley Award from the Society of Authors. She lives in mid-Devon with her husband and their two daughters.
The Prize is open to anyone (over 16) from anywhere in the world, as long as the work is original and previously unpublished.
There is no line limit, and the poems can be on any subject.
The shortlist will be announced in March 2025 and the four shortlisted poems will appear in the Irish Times online.
Prizes
  • The winner will receive €6,000
  • There are three runner-up prizes of €1,000. Eight commended entries will win prizes of  €250
  • The entry fee is €15 per poem.

The winner of The Moth Poetry Prize 2023 was American poet Lance Larsen with his poem ‘Things I’m Against.’

The winner of The Moth Poetry Prize 2022 was British poet Laurie Bolger with her poem ‘Parkland Walk’ chosen by Louise Glück.

Visit www.themothmagazine.com for full details.

Readings at the Festival of Stories

Festival of Stories1I’m excited to be reading some stories from my short fiction collection ‘The Stairs are a Snowcapped Mountain‘ at Festival of Stories, taking place at Sparks (the old M&S) in Broadmead, Bristol, on Sat 30th November 2024. I’ll be reading a short story and two micros (under half a page long!) packed with wonder.
I’m reading in the Stories For Grown Ups section at 1pm, but there’s fun book-inspired activities throughout the day, from 10.45am until 5.45pm. Most events on the day are free to attend.
Plus there’ll be chances to meet local authors, and buy personally signed copies of books. Don’t forget, books make unbeatable Christmas presents!

‘The Tree Inside’ – highly commended by The Laurie Lee Prize

Laurie Lee Prize judges

I’m delighted to share the news that an excerpt from my hybrid nature memoir ‘The Tree Inside’ has been highly commended by judges of The Laurie Lee Prize.

All shortlisted entrants were invited to a fabulous awards night as part of Stroud Book Festival. Amidst readings and the beauty of a version of Laurie Lee’s poem ‘April Rise’ set to music by Jonathan Trim and performed by the Every Other Monday Choir, judge Adam Horovitz announced my excerpt as a highly commended entry.

It felt very fitting as the memoir celebrates my dad, who introduced me to Laurie Lee’s wonderful writing, as well as the wonder of nature and the nature of wonder.

Congratulations to the winner Laura Kinnear, and thank you to all the judges: Katie Fforde (chair, pictured), Jessy Lee (Laurie Lee’s daughter!), Norah Perkins (Laurie Lee’s literary agent) Jamila Gavin (pictured), Adam Horovitz (pictured) and Jane Bailey (pictured) for commending my tale.

Thank you, especially, to Jane for telling me how it moved you. I know so many people lose loved ones to dementia, and that for every individual it is both unfathomable and extraordinary.

On your marks… NaNoWriMo!

Dove Holes to Whaley Bridge gap in wall by Judy DarleyWednesday 1st November marks the start of NaNoWriMo 2023. Are you taking part? I love the concept of this word-packed month, with ardent writers across the world hunched over laptops sweating out every last drop of inspiration.

New to the concept? It’s pretty simple really. As they state on the NaNoWriMo website: “On November 1, participants begin working towards the goal of writing a 50,000-word novel by 11:59 PM on November 30.”

I know plenty of writers this enforced period of productivity really suits. For some folks it seems to be the ideal way to stoke up ideas and get them to catch alight on the page.

For me, the beginning stages of novel-writing are all about thinking ahead, and there’s no reason why you shouldn’t do some speedy planning even as you begin to write. After all, what else are you going to do when waiting for buses, in post office queues and doing the washing up?

Here are my top five preparation tips to ensure you make the most of this exceptional month.

1. Form a vision of the story you’re aiming to tell, with the beginning already shaped in your mind. If possible, do the same for the ending. Having an idea of the finale you’re working towards will mean you’re far less likely to veer off track!

2. Spend some time considering your characters – get to know who they are, how they think, what their goals are, and how they might help or hinder each other.

3. Know your setting. It really helps if you can really picture the place where your characters are spending time. Base it on somewhere you know, use maps or, for an imagined place, doodle your map! This is one of my favourites, particularly if it offers a valid excuse to meander in a much loved wilderness or similar.

4. Pick out a few dramatic moments your plot will cover and brainstorm them, then set them aside. Whenever your enthusiasm wanes over the intensive NaNoWriMo period, treat yourself by delving into one of those to reinvigorate your writing energy.

5. Finally, make sure you have plenty of sustenance to hand. For me, the essentials are coffee and chocolate. What are yours?

If you’re not a long-form junkie, why not take part in the flash version? Launched by the inimitable Nancy Stohlman in 2012, Flash Nano urges you to pledge to write 30 mini stories in 30 days. In 2023, more than 3,000 people took part. Even if not all turn out to be sparkling examples, you should end up with some that make your heart zing!

Book review – Clearly Defined Clouds by Jude Higgins

Clearly Defined Clouds book cover_Jude Higgins

In this collection overflowing with awarding-winning and highly commended flash fictions and micro tales, author Jude Higgins creates a world where goddesses stroll through the eons to discover Zoom while humans lament decreasing biodiversity and discover the simplicity of love beyond semaphore. Even at its most playful, this is a collection with big messages at its heart.

As I read, my mind filled with images – colour is a vital ingredient of Jude’s fiction. not least in ‘Pink’, where it paints a beautiful scene against a story of loss again “the blush of that single rose growing by the door, you said was a winter miracle, still alive, trembling in the frost.”

Overall, the colour-saturation of the writing is an impression enhanced by Jeanette Sheppard’s wonderfully evocative cover image.

Love stories are unconventional in Jude’s hands, even when they draw on familiar sources. In ‘Jack and Jill’ we discover how Jack really came to fall down the hill, and all that was lost because of it.

Familiar nursery rhyme and characters crop up throughout, from an ageing Gretel rewriting the past to a sparky, empowered Rapunzel.

Other tales experiment with form to devastating effect. ‘Dark Horses’ is particularly deft, telling Alf’s story by listing the horses he has known and loved. This is also one of the flashes accompanied by an image – adding another layer of storytelling I appreciated.

Family relationships are examined with a gentle, dreamlike magic realism in ‘Manna’ and ‘Wash it All Away.’ In each of these, and so many of her other stories, Jude shares her understanding of and empathy for human nature.

In the title story, ‘Clearly Defined Cloud’, an ending offers the promise of quiet contentment you’ll want to savour by reading more than once, while ‘The Icing’ clings to hope as precarious as petals and button eyes. Jude’s skilful touch and painterly imagery allows hefty topics to land lightly, sneaking in emotions below scenes of nostalgia and deceptive calm.

One of my favourite’s in the collection is ‘How to Collect Water From a Well When There is Only an Office Chair to Hand.’ In this dystopian tale, three thirsty women who’ve lost everything to men team up to solve the title’s puzzle and see off a growing number of salacious frogs. Some lines hint at a darkness that draw to mind Margaret Atwood’s The Handmaid’s Tale with the women taking turns to have spins on the chair “to remind me when I could go out and work in an office.”

This is a collection of sweeping variety, with each flash offering fresh viewpoints on the people we are, the hopes we hold close and the experiences that impact us along the way.

This book was given to me in exchange for a fair review.

Clearly Defined Clouds by Jude Higgins is published by AdHoc Books. Buy your copy.

The Great Festival Flash Off, online, hosted by Jude Higgins, is on Saturday 26th October 2024

At this online session, I’ll be teaching a one-hour version of my ‘Writing on Water’ workshop, inviting flash writers to explore different ways of using water to dive deeper into themes in their writing, with generative exercises, examples from a variety of writers, and time to write.

The full day (11am to 6.30pm) only costs £30, with two hour-long workshops and one 90min workshop, plus readings, breakout rooms for chats, yoga for writers and a competition each time.

In addition to ‘Writing on Water’, the 26th October edition of the Great Festival Flash Off includes workshops with Ingrid Jendzrejewski and a discussion/reading/Q&A with Karen Jones and Diane Simmons.

Book for The Great Festival Flash Off here.

Upcoming literary events & activities

Celebration of the Book bannerI’m looking forward to a few weekends jam-packed with literary hi-jinks.

Saturday 26th October 2024 The Great Festival Flash Off, online

At this online session, I’ll be teaching a one-hour version of my ‘Writing on Water’ workshop, inviting flash writers to explore different ways of using water to inspire or shine up themes in their writing, with generative exercises, examples from a variety of writers, and time to write.

The full day (11.00am to 6.30pm) only costs £30, with two hour-long workshops and one 90min workshop, plus readings, breakout rooms for chats, yoga for writers and a competition each time.

In addition to ‘Writing on Water’, the 26th October edition of the Great Festival Flash Off includes workshops with Ingrid Jendzrejewski and a discussion/reading/Q&A with Karen Jones and Diane Simmons.

Book for The Great Festival Flash Off here.

Friday 1st November, Clevedon LitFest Writing Competitions prize-giving
Jubilee Lounge, Clevedon Community Centre, aka Princes Hall, BS21 7SZ, from 7.30pm

CompAwards showing KatLyon, bristol poet 2024, on orange and blue backgroundTo announce the winners Clevedon LitFest Writing Competitions, there’ll be an inspiring evening of celebrations and performances. As one of the judges for the short story entries, I can’t wait to meet the writers of the 1st, 2nd, and 3rd award-winning stories, and the writer of the highly commended story.

With a performance from the current Bristol City Poet Kat Lyons. it’s going to be a very special night indeed.

There’s no need to book for this free event – just turn up. See you there?

Saturday 2nd November, Celebration of the Book
Clevedon Community Centre, aka Princes Hall, BS21 7SZ, from 10am

Clevedon LitFest’s Celebration of the Book returns as a one-day convention of books and book arts.

A day-pass for all talks, discussions and readings costs just £15, with workshops costing extra.

Find full details for Celebration of the Book and book here.

I’ll be helping out with talks and panels throughout the day, and sharing a story or two of my own from 5.30pm as part of ‘Exploring the Edges: Literary fiction readings.’

Sunday 10th November, The Laurie Lee Prize for Writing 2024
Lansdown, Stroud, Gloucestershire GL5 1BB, from 5.30pm

As one of the shortlisted authors, I’ll be there to celebrate being part of the legacy of one of my long-time favourite authors and hear readings from the winning entries and those “which most captivated our judges” as part of Stroud Book Festival 2024.

The event will feature a performance of ‘April Rise’, a poem by Laurie Lee, set to music by Jonathan Trim and performed by Every Other Monday Choir, which sounds wonderful!

Book your free tickets for The Laurie Lee Prize for Writing 2024.

Saturday 30th November, The Festival of Stories
SPARKS (the old M&S), 78 
Broadmead, Bristol, from 10am

The celebration of storytelling is a free day bringing together an “eclectic mix of seasoned storytellers, emerging voices and passionate listeners for a day filled with tales that span generations, cultures, and experiences.”

I’m part of the ‘stories for grown ups’ line-up and can’t wait to discover what else is going on.

Published stories

View between two trees showing other trees
I relish writing and editing short stories and flash fiction, and have a self-imposed rule of submitting every month. If you write, I highly recommend this trick. It ensures that for every rejection, there are still a handful of tales out in the world that may yet be published, plus a gentle flurry of successes to bolster your writing mojo!

Here are some of my recent and upcoming publications.

Coming soon

Fledging – Neither Fish Nor Foul

October 2024

Tall Girl and Lazlo the Terrible – Frazzled Lit.

August 2024

Giraffe Families – Epoque Press

July 2024

All the Lives we Almost LiveTrash Cat Lit

June 2024

Moon JelliesNational Flash Fiction Day Write In

Reasons to Rescue Strangers – National Flash Fiction Day Anthology 2024

Why We Dance on the PierGooseberry Pie Lit Magazine

May 2024

CleaveTiny Molecules

February 2024

Blue-naped Parrots See More Than They SayNew Flash Fiction Review Issue 32 Family Life

January 2024

A Bright Day – winner of the New Writers UK Winter Story competition

October 2023

Mycorrhiza – Flash Frontier GARDEN / MĀRA issue

A Still, Golden Light – The Simple Things Magazine issue 136

What Was Lost & How Insects Signal Their Love – Flash Boulevard

June 2023

Windowledge Archives – National Flash Fiction Day Flash Flood UK 2023

The Long Way Home – National Flash Fiction Day NZ Micro Madness

April 2023

This is Not a Story About Chickens – The Hooghly Review issue 1

February 2023

How Many is 80? Paragraph Planet (scroll to Feb 23rd)

January 2023

Life Hacks – 12 Fragile Things Not to Use as a Doorstop – Wensum Literary Magazine issue 1/Winter 2023

December 2022

Natural Miracles – Flash Frontier Wonder issue

October 2022

The Art of Pivot and Flit – Dually Noted, Brink Literacy Project

September 2022

The Bee Man’s Secret – Flash Fiction Festival Volume Five

August 2022

The Green-Gold of Wet Kelp – Fairlight Books

June 2022

The egret and I don’t belong here – The Phare Literary Magazine Summer 2022 issue

Tricks to uproot a guest who has outstayed their welcome – Tiny Molecules issue 13

After Dad Goes into Care – National Flash Fiction Day FlashFlood 2022

Bees Breathe Without Lungs – Honeyguide Magazine

How to Hook a Heart – And We Live Happily Ever After, National Flash Fiction Day anthology 2022

The Tempest Inside – Micro Madness

April 2022

Milk Tooth – Wyldblood Press

March 2022

Awkward Liaisons – Flash Fiction Festival Volume Four

Falling in a Forest Mslexia magazine issue 93

Oxblood – Flash Frontier

Fishing for Green and Blue – Retreat West 10th Birthday Anthology

December 2021

Reasons Your Kefir Might Sour – Litro Magazine Flash Friday

The Only Language He knows Now is Touch – Blink-Ink, Moonlight #46

The Finch in My Sister’s Hair – The Birdseed

The Sea Lives in Her Mum’s Head – Ellipsis Zine

November 2021

The Salt Sting of Learning When To Say No – Flash Frontier

September 2021

My Choice – Six Sentence Stories

Three Shades of Summer – Flash Fiction Magazine

Storm Beckoner – Bandit Fiction

June 2021

Leaf After Leaf – National Flash Fiction Day Write-In

The Hare I Miss – Thimble Literary Magazine

What’s That? – Spilling Cocoa Over Martin Amis

May 2021

Reaching (collaborate work – I wrote the first stanza) – 100 Words of Solitude

April 2021

Stretching Out – Hencroft

The Sideways House – Twin Pies Volume IV

March 2021

Unstill Life With Plums – The Pomegranate

Book review – Hereafter by Sarah Freligh

Hereafter coverWhen our world has been shattered by loss, how do we carry on? Author Sarah Freligh asks this question, and countless others, in the stormy pages of her novella-in-flash.

Protagonist Pattylee is so real that her revelations read like memoir, with a searing honesty that captures not only her devastation at losing her son Petey, but the complex, wonderful minutiae that made him the imperfect, glorious human she raised as far as she could before brain cancer claimed him.

Some passages are delicious steams of consciousness, as in the opening flash: “What She Remembers: His First Year”, a beautifully smeared blur in which she tells her son “I found you at the end of the rainbow after it stopped raining.”

Petey’s own imagination paints scenery around them, as he tells his mother he was hatched from an egg and had fought at Normandy.

From the explosive narrative of ‘Metaphors for a Tumor’ to the hush of ‘Hospice: Quiet’ where a nurse comments “We die between breaths”, the contrasts in this collection only make the words shine brighter.

Sarah is unflinching as she invites us into scenes where the bereaved Pattylee drinks to dull the pain so she can “stumble on through the night, skid into a new morning.”

The challenges of single parenthood also stand out on the page, especially in ‘Two Days Arter Your Kid Dies, You Go To Work’, garnishing sentences with “a twist of lemon”, “a ghost of vermouth”, and “plastic swords of oranges and cherries the color of fresh blood red”, providing the impression of stinging sharpness as Pattylee soldiers on (to borrow one of the book’s other recurrent metaphors)  “Because you need money to buy the casket you’re paying for in instalments.”

You can taste each devastating page at the back of your throat, while shimmering colours Sarah evokes suggest the rush of life even as it drains away.

The shortness of each flash (some only a paragraph long), heightens the sense of time dashing by through Petey’s brief, vivid life and the ‘Hereafter’ of the book’s title. Throughout, with spaceships, meteor showers and Petey described as mist and glitter, there’s a sense of Petey taking flight.

Gradually, there comes a hint of healing as Pattylee finds her new version of hereafter beyond “the days and days of gray.” There’s something achingly rational about the birthday cake she bakes on what would have been Petey’s sixteenth birthday: “chocolate because she likes it, though Petey never did.”

As a portrait of parenthood, grief and humanity, this book sings, slaps and comforts by turns. The writing is clear, unfussy and distinctly unsentimental, making Pattylee’s emotional voyage utterly believable. From beginning to end, Hereafter is a story that feels necessary, relatable and real.

Hereafter by Sarah Freligh is published by Ad Hoc Fiction. Buy your copy.

This book was given to me in exchange for a fair review.