Book review – Reasons She Goes To The Woods by Deborah Kay Davies

Reasons She Goes To The WoodsShared in vibrant, powerful single-page snapshots, Reasons She Goes to the Woods is the story of Pearl, a girl with a curiosity about life, nature and the possibilities of her own self that is both savage and familiar.

The brevity of each missive gives it a startling potency, as each compact and perfectly precise little tale builds up the atmosphere of a childhood riddled with darkness and wonderment. Pearl is a formidable character, unflinching in her examination of the world. Becoming her friend is something of a trial by fire as she strives for dominance over each child who comes into her life, not least her baby brother, The Blob.

Pearl is a succinct reminder of the wilderness we explore of childhood. She seems to feel no fear, a factor that’s clearly part of her hold over others, as we encounter her unconscious allure as much through their responses to her, than through the actions she chooses to take.

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Poetry review – Learning to Make an Oud

Learning to make an oudI have an ever increasing respect for poets. The skill and confidence to reduce an emotion, a story or an entire history to a few sparse stanzas is breathtaking. I recently re-read Ruth Padel’s simmering collection Learning to Learning to Make an Oud in Nazareth, which takes in Middle Eastern politics, culture and religion with a deftness I aspire to.

From generously crammed paragraphs to glimmering non-rhyming couplets, the poems examine the richness of beliefs in conflict with uncommon grace and intensity.

In the title poem, we’re walked through the steps of making a traditional musical instrument, and in Padel’s clear, thoughtful words, the act becomes unexpectedly sensual: “He damascened a rose of horn/with arabesques/as lustrous as under-leaves of olive”.

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Let’s talk about death, baby

Death the human experienceWhat are your thoughts about death? Do you think of it freely, with curiosity or turn from it with dread? The current exhibition at Bristol Museum and Art Gallery invites us to face our fears and explore the myths and realities surrounding our eventual expiration.

death: the human experience is an unexpectedly beautiful, contemplative exhibition, displaying archaic associations with death (from an exquisite death’s head hawk moth to a Victorian mourning dress. There are insights into burial practices across the world, including a piece on ‘sky burials’, examples of items left at gravesides and buried with the deceased, and a cheeringly rambunctious Ghanaian coffin shaped like a lion.

You can listen to funeral and mourning songs from a variety of cultures, admire memorials intended to honour the dead or display how well they were loved, and perhaps reconsider or identify your own attitudes to these rituals, and what’s important to you personally.

The subject matter is handled sensitively and thought-provokingly, with special separate sections where you can consider darker aspects such as infant mortality and cannibalism, with small doors to open on exhibits that may be especially distressing. For me the mortuary table from a former Bristol hospital was a more sobering sight – something about its clinical contours just seemed very cold. There are also videos of commentaries for and against assisted suicide, which tackles the important issue of quality of life.

Whatever your feelings on death when you enter, I think you’ll emerge able to speak about death more readily – this is an aspect of life we’ll all experience at some point, whether as the deceased or as a mourner, and being able to talk about it can only help.

As the Mark Twain quote emblazoned on one wall states: “I do not fear death. I had been dead for billions and billions of years before I was born, and had not suffered the slightest inconvenience from it.”

What a curiously comforting idea.

death: the human experience runs at Bristol Museum and Art Gallery until 13 March 2016. Visitors are invited to pay what they feel the exhibition is worth.

To submit or suggest a review, please send an email to judydarley (at) iCloud.com.