Seeds of art

Hyacinth watercolour by Gill Martin

Hyacinth watercolour by Gill Martin

“I don’t consider myself particularly creative, more as a recorder of natural things so that the viewer sees them afresh but also to give them a place,” says botanical artist Gill Martin.

Gill sees nature as a direct connection to art, and vice versa. “Art makes me really look at things and appreciate their beauty; I love that I can just be walking down a street and find a leaf or twig or something else that just makes me feel I want to draw it.”

Almond by Gill Martin

Almond by Gill Martin

It’s a symbiotic process than began early on in her life. “I drew and painted from a very young age and did Art A-Level along with Sciences, which led me down the path of a career in dentistry; the drawings I did at school were always close observational, usually in pen and ink.”

Throughout her time working as a dentist, Gill’s artwork was, in reaction to this “very concise occupation” far more abstract than it is today. “I produced large pieces, stained glass and printmaking – it was almost like an antidote to the dentistry,” she comments. “After I retired from my profession I decided to do a long distance four-year distance learning with the Society of Botanical Artists and felt very much back with my natural inclinations.”

In particular she finds herself attracted by unusual shapes and forms. “Although during the course I had to do many flowery subjects, I have found that I am more interested in subjects such as individual leaves.”

Examples of this include an intricate drawing of a seedpod completed while in Australia for her son’s wedding.

“The course assignment was fruit, but all the fruit I looked at seemed very boring. Then I realised that the fruits of various trees were far more interesting! I think that I really like looking at the ground, or other places where perhaps things crop up unexpectedly.”

Australian Seedpods by Gill Martin

Australian Seedpods by Gill Martin

Using watercolours, coloured pencils and graphite pencil, Gill’s beautifully precise art has been exhibited in London, at Bristol Botanic Garden and in the BV Studios where she carries out much of her work.

She relishes the ability to show people the natural world in a fresh way by focusing in detail on small, easily overlooked elements. “I love the achievement of highlighting something that most people wouldn’t notice; nothing gives me greater pleasure than to find a fallen leaf amongst many others and then making a beautiful drawing or painting of it so viewers think, Wow, look at that leaf!”

Find Gill and her work at www.gillmartinillustration.co.uk.

Are you an artist or do you know an artist who would like to be showcased on SkyLightRain.com? Get in touch at judydarley (at) iCloud.com. I’m also happy to receive reviews of books, exhibitions, theatre and film. To submit or suggest a review, please send an email to judydarley (at) iCloud.com.

Writing prompt – MerryGoRound

Brighton MerryGoRound cr Judy DarleyFew things shout summer like a traditional seaside MerryGoRound. The blaze of colour and eerie nostalgic music, promises kept or broken, first snogs, first betrayals, or simply the dizzy pleasure of being whirled round and around as seagulls scream.

Use this setting as your starting point.

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

Suspense writing with Iris Murdoch

The Nice and The GoodThere is a scene in The Nice And The Good by Iris Murdoch that encompasses everything you need to know about suspense writing.

Plumped 295 pages towards the end of the 1969 edition of this rather meandering novel, it involves Gunnar’s cave, “its sole entrance only above water for a short time at low tide.” Murdoch drops this line in far earlier, building on the cave’s status in “the mythology of the children.”

For 15-year-old Pierce in particular, this sea cave is a place of fascination and dread. He fears it more than the other children do, and, equally, wonders about the possibilities of this hidden space, and marvels over the chance there could be a secret safe spot in there, or whether one would inevitably be drowned.

Towards the end of the novel, his heart has been broken, he’s cross with the world, and his behaviour is becoming increasingly erratic. The cave, seems to be the answer to this – the opportunity to face the threat head on, while allowing it to prise from him the choice of life over death. Once inside, with the entrance sealed by the tide, he will be at its mercy, and that, in his current state of mind, is oddly appealing.

But even this disastrous plan doesn’t go quite to plan. No sooner is he swallowed up by the darkness than he hears splashing nearby and discovers that Mingo, the family dog, has followed him in. Then John Ducane, a friend of his mother’s, swims in to see if he can find the boy. Now three lives are at peril in a dense, cold, alien blackness of the cave, and the reader (in my case, at least), is transfixed.

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Writing prompt – contraption

Auchentoshan distillery cr Judy DarleyWhat could this rather exquisite contraption be? A musical instrument or a surgical device, a mixer of dreams, a time travel machine or an experimental invention for reading minds?

You decide, then make that the starting point of your story.

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

Writing prompt – inflated

Shop window full of balloonsWalking to my sister’s house, I spotted this shop window brimming with balloons. What could be happening here – preparations for a birthday party, a third wish gone awry, an attempt to spell out a secret message using a code of coloured latex, or something else entirely?

What metaphors could they represent, or what potential catastrophe? Are they harbingers of happiness, or something far more sinister?

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

Stories shared on the #FlashWalk

Cormorant cr Judy DarleyDuring the #FlashWalk on National Flash Fiction Day, ten fantastic flash fictions were shared, all inspired by Bristol Harbour and the surrounding area.

Several have already been published elsewhere, but here is an exclusive opportunity to read four thought-provoking and wonderful tales.

Harbouring Friendship by Diane Tatlock 

I walk with Mother along the harbour side. Calm. Quiet. Galleons stand tall above us.

I see him then. The boy. Men standing round him. Holding him.

I walk with Mother. Slowly. Her skirts swish the cobbles. Her bonnet nods. Her parasol shields us from the bright sun.

I watch. Sloshing water slops over him. Showers his dark skin. He stands. Still. They plunge the bucket again. And again. Chuck the water. Hard. He stands. Still.

Mother clutches my hand and I walk on. She still nods to friends. Smiling. I look back.

They drag his dripping body across the wooden deck. Towards that gaping square. They tip him. Trip him. Let him go. His wet, brown body disappears into the black hole.

Mother pulls me on. Shows me a shiny penny for a bun.

I wonder who he is. What he has done. Where he will go. If he will be raised from that darkness in another harbour. If he will see the sun again.

He could have been my friend.

Johnny Pencloud by Juliet Hagan, read by Jo Butler

Johnny Pencloud by Juliet Hagan, read by Jo Butler

Johnny Pencloud by Juliet Hagan

You, young man! You look strong, and capable enough of hauling a rope or scrubbing a deck. Best keep an eye on who’s behind you, or you may not see home again. The ‘press men are about, you understand. To beat the tyrant Bonaparte, they have the power to seize any man, any man at all, and press him on to the King’s ships.

They took my husband, Johnny Pencloud, fifteen years ago. A fine man he was, eyes as blue as a summer evening, broad shouldered, and hair as black as the coal he used to mine. Mind you, it’s prob’ly grey now.

The morning after our wedding, it were. We lay in our warm bed as the sun shone through the window, and listened to the sounds of the people in the street below.

‘Hot coffee! Fresh rolls!’ shouted a hawker. Johnny’s stomach rumbled. ‘I need some of that,’ he said, grinning. ‘Stay there and don’t move ‘til I gets back.’ He kissed me, put on his trousers and shirt, grabbed a pewter jug, and left. I waited till noon, and sunset, and all through the night, but he never came back. The press men were out on the street, you see.

How could I go back home without him? So I stayed, doing what I could to pay my way, and I comes down here whenever I can, asking for news about him. I come even on the day our babe was born. And on the day she died, too. So, have you heard of Johnny Pencloud?

Your Name is Pero Jones by Ingrid Jendrzejewski, read by Tom Parker

Your Name is Pero Jones by Ingrid Jendrzejewski, read by Tom Parker

Your Name is Pero Jones by Ingrid Jendrzejewski

Nothing is known of you until your twelfth year, when you were purchased by a sugar merchant. You worked on John Pinney’s plantation in the West Indies for 19 years, then accompanied him to Bristol as his personal servant. You had two sisters. You were trained as a barber. You knew how to pull teeth. You visited the West Indies twice after settling in England; after the second visit, it is said you took to drink. You served the Pinney family for 32 years in all, then died around age 45.

Then, you slept.  Nothing is known of you for the next 201 years.  We don’t know where you went, what you dreamt, what has wakened you, but we do know that when you came back to Bristol, something had changed.

Now, you are larger than life. You span the floating harbour. You are raised and lowered by a hydraulic piston. You have grown horns.

And we wonder: for what have you returned? How long will you suffer the footfall of living men? Are you still bound by the grasp of the River Frome, or will you someday free yourself from the line of the river still known today as St Augustine’s reach?

Jo Butler reading A Thousand Words by Gemma Govier

Jo Butler reading A Thousand Words by Gemma Govier

A Thousand Words by Gemma Govier

With her stiletto jammed in the cobbles, she tried to perfect the laidback office worker look, munching on her panini whilst leaning against the stone pillar.  Nobody had warned her about the cobbles and she was wishing she had trusted her instinct to wear flats on her first day.

At the business park, lunch used to be powdery soup in the corner of the canteen, trying to look interested in a magazine while avoiding eye contact with everyone, especially the creepy Mr Summers. Now she had fresh air, seagulls, cheerful crowds and pavement artists. Polishing off her lunch she gave one final twist of the heel and her shoe was freed. Dignity intact, she moved from the shadows into the sunlight and looked over the shoulder of the guy chalking.

It looked just like her hometown. It was her hometown. It was unmistakable with the castle in the background and the church spire just in front. She was about to ask him if he was from there too when she noticed he was working from a small photo.

It was of herself walking through the high street. Not herself now but herself ten years before, holding hands with her old flame, Matthew. It was next to another photo. She was at her local park on a swing as a child, laughing as her sister pushed. In the next, she was at her graduation.

The bass beat from the waterfront bar seemed to be pumping right through her body as she moved round to get a better look at the artist, frantically searching for some kind of familiarity. She must have gone to school with him, lived near him or something, she thought. He was at least twenty years older than herself with small dark eyes, unshaven and had receding hair. She had never seen him before.

As she tried to form the right words he turned to look directly at her and placed a finger on her lips. “A picture’s worth a thousand of them don’t you think?” he said.

A short story – Paper Flowers

Mount Isola, Lake Iseo by Judy Darley

My short story Paper Flowers has found a happy home on the beautiful journal The Island Review.

The tale was inspired by a visit to Mount Isola on Lake Iseo in northern Italy, courtesy of the splendid Brescia Tourism. It was the perfect example of how my journalism feeds my fiction feeds my enduring thirst for travel.

My story begins with the following line: “I hand the yellow felt-tip to Chiara, half watching as she adds a few dots of colour to the heart of a paper lily: pollen that will never fall free.”

You can read the full story here: theislandreview.com/content/paper-flowers.

Writing prompt – artefact

Hay-on-Wye book pyramid cr Judy DarleyIn Hay On Wye, a curious structure stands: a rusted-up pyramid entombing classic books. Small windows show the books encased within.

In places these windows have been cracked and broken, allowing spiders and insects to make their way among pages mildewed by rain, rotted by weather.

Hay-on-Wye book pyramid cr Judy DarleyThere are so many directions you could take this prompt in – imagine it as a sole reminder of our bookish past for future generations to discover, or have it found inside an ancient Egyptian pyramid – an uncanny duel link to the present within the past.

Choose as your protagonist an alien, a spider, or a small, puzzled child. Turn the structure into a metaphor for humanity, or for a relationship. Make this the site of a significant meeting between two unlikely characters, and see where they take you next…

If you write or create something prompted by this, please send an email to Judy(at)socket creative.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

Book review – White by Marie Darrieussecq

White by Marie Darrieussecq

Marie Darrieussecq’s novel White received its first print run in France in 2003, and is set in what was then the future, 2015. As a result there’s a curious sense of being in a recognisable but slightly adrift parallel world, where a manned rocket is on its way to Mars, and phone calls take the form of holograms. It’s not far out, but just enough to add to the sense of being elsewhere – on Earth but not quite as we know it. Very appropriate given the novel’s frozen landscape.

The story opens with our two protagonists, Peter Tomson and Edmée Blanco travelling to one of the most inhospitable and hazardous places on Earth – Antarctica. Each has a role to play in keeping their colleagues safe; telecommunications engineer Edmée by providing the sanity of a link to home, and heating engineer Peter by ensuring the generator that keeps them from freezing to death doesn’t quite give up the ghost.

Talking of ghosts, Darrieussecq has taken the concept of an omniscient voice and given it new life by having the story told by the ghosts who populated the whitest of white places, from Captain Robert Falcon Scott and his ill-fated team, to the ancient echoes of our planets earliest elements. As a result, it’s as though we’re eavesdropping on our romantic leads’ thoughts, dropping from one tangent to another, and always with the backdrop of whiteness, blankness, where the separation between ice, sea and sky is barely discernable.

Dreams slew into consciousness, seeming as significant as waking ponderings, and at times it isn’t entirely clear when an impulse is being acted on, or merely mulled over. It is as though Darrieussecq is drawing a line beneath contemplation and deed, stating that each of these has equal value, and equal insignificance, in the grand scale of things.

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