A moment’s respite

Old Harry Rocks by Gilly Mound

Old Harry Rocks by Gilly Mound

There’s an enticing hint of reminiscence about Gilly Mound’s mixed media artworks – looking at them I find myself recalling childhood holidays to picturesque villages, often within sight of the sea and almost always within earshot of sheep. The vivid colours and bold shapes are deliciously inviting, with an impression of sunshine throughout.

“I have always loved colour,” Gilly comments. “Initially my art was based around mixed media and stitch and was quite colourful, but not as bold. Then a few years ago I decided to pare down the media and processes I was using and began to experiment with acrylics. I was instantly hooked.”

Gilly describes her style as “quite ‘blocky’ and naïve. Acrylic is a perfect media for this style.”

Her surroundings are frequently the impetus of a new work of art. “For me it’s down to environment,” Gilly explains. “I live in the countryside where the changing seasons are very defined and inspirational. I love to walk in a rural landscape of fields, trees, leaves and sheep! And the British coastline, particularly Cornwall and Wales is very influential in providing imagery of little boats and harbours.”

Gilly is also a fan of ceramic pots and jugs, and these, too, appear in many of her works as still life elements, often providing a foreground focus to an idyllic view. I love the details she chooses to include, such as the pebbles in the scene above.

Three Sheep crop by Gilly Mound

Three Sheep, crop, by Gilly Mound

Gilly’s aim is to share her affection for the places she lives close to in Worcestershire’s Teme Valley, and the locations she visits.

“I try to portray the way I feel about places and everyday objects rather than capture their exact visual reality,” she says. “For instance, my painting of Bayards Cove, Dartmouth, is pared down and stylised but still recognisable as the subject.”

Prior to immersing herself in fine art, Gilly worked as a fabric retailer and knitwear designer, before studying and then teaching fashion and textiles. I couldn’t resist asking how she feels her background in this area impacts on her work.

“A really interesting question!” she exclaims. “I believe it has given a commercial leaning to my work. Colour, shape, pattern and form are important features of fashion and textile design and yes, I believe these ‘organising’ factors do influence me when I am making art.”

Where I Want To Be by Gilly Mound

Where I Want To Be by Gilly Mound

The pleasure of creating is evident in her work. “That moment of making art and ‘being in the zone or flow’ is a priceless experience,” she says. “Unfortunately it doesn’t happen every day, but when I’m fully connecting with my work there’s a sense of immense satisfaction in simply being involved in the creative process. I wouldn’t want to do anything else.”

Find more of Gilly’s work at www.gillymound.co.ukThe Art Agency, 118 – 120 High St, Esher KT10 9QJ and Whalley Fine Art & Framing, Holywood, Belfast, Co. Down.

Are you an artist or do you know an artist who would like to be showcased on SkyLightRain.com? Get in touch at judydarley(at)iCloud.com.

Writing prompt – home

Moon and roofs by Judy Darley

Moon and roofs by Judy Darley

My man and I moved home last weekend, which has meant constant upheaval for several weeks. I took this photo in our former street on the night of a supermoon and can’t help thinking how the stillness of the houses and the apparent agitation of the moon makes it resemble the start of an encounter of the third kind.

On the other hand, these are all utterly familiar things, each of which speaks of home.

What means home to you? How would you feel if that was removed? Can you channel that emotion into a tale or poem that says something about what it is to be human bereft of and seeking a home?

If you write or create something prompted by this, please send an email to judydarley(at)iCloud.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

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The power in portraiture

Untitled 2 by Hatty Butler

Vigorous brushstrokes, spray paint and mixed media give Hatty Butler’s portraits an uncommon vitality. They have statements to make and personalities to exude, and little time or patience for the uncertain viewer.

“I’m drawn to painting people because the idea of representing someone in a new form fascinates me,” says Hatty, who studied BA Hons Fine Art at Bath Spa University. “I love creating an image of someone and bringing it into a whole new dimension, giving the individual a new life. The concept of bringing a likeness of the person the painting yet adding a contemporary, energetic aspect is, for me, hugely exciting and inspiring.”

The scale of the pieces is immense: it’s as though their fizzing force of character has transformed them into giants.

“The energies and emotions I aim to capture of those just under the surface, those that we may try and hide in day to day life,” Hatty says. “It’s all about those feelings of vulnerability and a stripped back version of our existence.”

Pink Is For Me Too by Hatty Butler

Pink Is For Me Too by Hatty Butler

She adds: “I am also passionate about portraying individuals that may be overlooked or criticised by society for being different. We live in a society where the abnormal is sometimes laughed at and my aim is to alter these outdated views. Art can be the most innovative and compelling means of providing change within our society. I challenge the viewer, encouraging them to look deeper into the painting than just the portrait itself, to raise internal issues and try to comprehend them.”

Hatty’s own mood shifts drastically while she is painting. “At the start of creating a new piece I feel a mixture of excitement for the unknown, yet also apprehensive how it will turn out,” she admits. “I never plan ahead what direction the piece will take – it grows and evolves as time goes on. I love the freedom of adding pastel and spray paint once the finer details have been completed. It is a liberating and fulfilling experience.”

April by Hatty Butler

April by Hatty Butler

She’s become an expert at melding the observed and invented in her work.

“I tend to makes initial sketches from life and then work from a series of photographs,” Hatty says. “A lot comes from my imagination too – my work is a representation of the subjects inner being, I only focus slightly on the external likeness. For me it is more about externalising the internal.”

I Am Strong, I Am Proud, I Am Me by Hatty Butler'

I Am Strong, I Am Proud, I Am Me by Hatty Butler’

To do this, Hatty needs to set aside her own immediate feelings. “That’s the greatest challenge of trying to represent the internal through painting the external – I need to be able to be honest and not portray my own internal emotions,” she says. “The work needs to represent the characteristics of the subject initially.”

Being an artist, Hatty says, offers a wonderful sense of freedom. “To live a creative life is such a special thing and while it comes with its struggles I wouldn’t have it any other way,” she says. “I relish having the freedom to express myself and spend every day doing something that I love. I love what I do, creating things that did not exist before, that are unique and that touch other people. As an artist, I see the beauty in things that are often overlooked. Without art the world could be a very boring place. It’s so important that we take a moment to appreciate what’s around us.”

To see more of Hatty’s work, visit www.hattybutler.com, and look out for news of upcoming exhibitions.

Are you an artist or do you know an artist who would like to be showcased on SkyLightRain.com? Get in touch at judydarley (at) iCloud.com. I’m also happy to receive reviews of books, exhibitions, theatre and film. To submit or suggest a review, please send an email to judydarley (at) iCloud.com.

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Writing prompt – dream

Cat dreaming cr Judy DarleySomething about this sleeping cat reminds me of the Salvador Dali painting snappily titled Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening

What sounds might be contributing to this cat’s dreams? How surreal might those dreams be? And what if those dreams somehow influenced the world we live in?

If you write or create something prompted by this, please send an email to judydarley(at)iCloud.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

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Micro-Fiction competition invites entries

Buttons cr Judy DarleyI’m a fan of flash fiction that packs an emotional wallop ­– such a challenge to achieve in only a handful of words!

National Flash-Fiction Day returns on 16th June 2018, and celebrates this short-short form in all its glory.

As part of the build up, their annual Micro-Fiction competition is open for entries of 100 words or fewer. There is no minimum word count.

The deadline is 23:59 (UK time) on 17th March 2018, so you just have time to string a few powerful, carefully selected words together. No problem, right?!

This year, entries are free. You’re invited to submit up to three flash fictions on any theme.

Find competition rules, terms and conditions, and the full list of prizes at nationalflashfictionday.co.uk/comp.html

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Writing prompt – snow day

Snow Day by Judy DarleyIt’s hard to believe that this happened less than a week ago. I love all the activity happening in this image, all the different interactions, collisions and connections – not least  between the two dogs on the lower lefthand side.

Let this vibrant scene prompt a story. Whose tale do you want to tell? Or which tail do you want to wag?

If you write or create something prompted by this, please send an email to judydarley(at)iCloud.com to let me know. With your permission, I’ll publish it on SkyLightRain.com.

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Flamingos and Ham – flash fiction

Flamingos and Ham by Judy DarleyMy very short dystopian tale Flamingos and Ham has been published by Ellipsis Zine Two. It offers a glimpse of a future that a certain D. Trump esquire would undoubtedly heartily approve of, and was inspired in part by 2017’s heartfelt Women’s Marches and the Pussyhat’s that provided a vivid flash of pink to the ensembles.

Ellipsis Zine TwoYou’ll need to buy the magazine to read the story in full (or wait for my next short story collection to come out in 2019 – squeee!). Here’s a sneaky taster:

Flamingos and Ham by Judy Darley

I was 12 when the ruling came in, banning certain words, colours, and clothing. It seemed farcical at first. My mum and dad laughed in disbelief as they watched the news.

“How can they outlaw pink?” Dad hooted. “What about flamingos and… and, ham?!”

Mum grimaced. “How can they forbid hats, and wool? What are they afraid of?”

Neither mentioned the words considered inflammatory. I think they understood even then that to utter them aloud could be dangerous.

Buy Ellipsis Zine Two.

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