On your marks… NaNoWriMo!

Dove Holes to Whaley Bridge gap in wall by Judy DarleyWednesday 1st November marks the start of NaNoWriMo 2023. Are you taking part? I love the concept of this word-packed month, with ardent writers across the world hunched over laptops sweating out every last drop of inspiration.

New to the concept? It’s pretty simple really. As they state on the NaNoWriMo website: “On November 1, participants begin working towards the goal of writing a 50,000-word novel by 11:59 PM on November 30.”

I know plenty of writers this enforced period of productivity really suits. For some folks it seems to be the ideal way to stoke up ideas and get them to catch alight on the page.

For me, the beginning stages of novel-writing are all about thinking ahead, and there’s no reason why you shouldn’t do some speedy planning even as you begin to write. After all, what else are you going to do when waiting for buses, in post office queues and doing the washing up?

Here are my top five preparation tips to ensure you make the most of this exceptional month.

1. Form a vision of the story you’re aiming to tell, with the beginning already shaped in your mind. If possible, do the same for the ending. Having an idea of the finale you’re working towards will mean you’re far less likely to veer off track!

2. Spend some time considering your characters – get to know who they are, how they think, what their goals are, and how they might help or hinder each other.

3. Know your setting. It really helps if you can really picture the place where your characters are spending time. Base it on somewhere you know, use maps or, for an imagined place, doodle your map! This is one of my favourites, particularly if it offers a valid excuse to meander in a much loved wilderness or similar.

4. Pick out a few dramatic moments your plot will cover and brainstorm them, then set them aside. Whenever your enthusiasm wanes over the intensive NaNoWriMo period, treat yourself by delving into one of those to reinvigorate your writing energy.

5. Finally, make sure you have plenty of sustenance to hand. For me, the essentials are coffee and chocolate. What are yours?

If you’re not a long-form junkie, why not take part in the flash version? Launched by the inimitable Nancy Stohlman in 2012, Flash Nano urges you to pledge to write 30 mini stories in 30 days. In 2023, more than 3,000 people took part. Even if not all turn out to be sparkling examples, you should end up with some that make your heart zing!

Book review – Clearly Defined Clouds by Jude Higgins

Clearly Defined Clouds book cover_Jude Higgins

In this collection overflowing with awarding-winning and highly commended flash fictions and micro tales, author Jude Higgins creates a world where goddesses stroll through the eons to discover Zoom while humans lament decreasing biodiversity and discover the simplicity of love beyond semaphore. Even at its most playful, this is a collection with big messages at its heart.

As I read, my mind filled with images – colour is a vital ingredient of Jude’s fiction. not least in ‘Pink’, where it paints a beautiful scene against a story of loss again “the blush of that single rose growing by the door, you said was a winter miracle, still alive, trembling in the frost.”

Overall, the colour-saturation of the writing is an impression enhanced by Jeanette Sheppard’s wonderfully evocative cover image.

Love stories are unconventional in Jude’s hands, even when they draw on familiar sources. In ‘Jack and Jill’ we discover how Jack really came to fall down the hill, and all that was lost because of it.

Familiar nursery rhyme and characters crop up throughout, from an ageing Gretel rewriting the past to a sparky, empowered Rapunzel.

Other tales experiment with form to devastating effect. ‘Dark Horses’ is particularly deft, telling Alf’s story by listing the horses he has known and loved. This is also one of the flashes accompanied by an image – adding another layer of storytelling I appreciated.

Family relationships are examined with a gentle, dreamlike magic realism in ‘Manna’ and ‘Wash it All Away.’ In each of these, and so many of her other stories, Jude shares her understanding of and empathy for human nature.

In the title story, ‘Clearly Defined Cloud’, an ending offers the promise of quiet contentment you’ll want to savour by reading more than once, while ‘The Icing’ clings to hope as precarious as petals and button eyes. Jude’s skilful touch and painterly imagery allows hefty topics to land lightly, sneaking in emotions below scenes of nostalgia and deceptive calm.

One of my favourite’s in the collection is ‘How to Collect Water From a Well When There is Only an Office Chair to Hand.’ In this dystopian tale, three thirsty women who’ve lost everything to men team up to solve the title’s puzzle and see off a growing number of salacious frogs. Some lines hint at a darkness that draw to mind Margaret Atwood’s The Handmaid’s Tale with the women taking turns to have spins on the chair “to remind me when I could go out and work in an office.”

This is a collection of sweeping variety, with each flash offering fresh viewpoints on the people we are, the hopes we hold close and the experiences that impact us along the way.

This book was given to me in exchange for a fair review.

Clearly Defined Clouds by Jude Higgins is published by AdHoc Books. Buy your copy.

The Great Festival Flash Off, online, hosted by Jude Higgins, is on Saturday 26th October 2024

At this online session, I’ll be teaching a one-hour version of my ‘Writing on Water’ workshop, inviting flash writers to explore different ways of using water to dive deeper into themes in their writing, with generative exercises, examples from a variety of writers, and time to write.

The full day (11am to 6.30pm) only costs £30, with two hour-long workshops and one 90min workshop, plus readings, breakout rooms for chats, yoga for writers and a competition each time.

In addition to ‘Writing on Water’, the 26th October edition of the Great Festival Flash Off includes workshops with Ingrid Jendzrejewski and a discussion/reading/Q&A with Karen Jones and Diane Simmons.

Book for The Great Festival Flash Off here.

Upcoming literary events & activities

Celebration of the Book bannerI’m looking forward to a few weekends jam-packed with literary hi-jinks.

Saturday 26th October 2024 The Great Festival Flash Off, online

At this online session, I’ll be teaching a one-hour version of my ‘Writing on Water’ workshop, inviting flash writers to explore different ways of using water to inspire or shine up themes in their writing, with generative exercises, examples from a variety of writers, and time to write.

The full day (11.00am to 6.30pm) only costs £30, with two hour-long workshops and one 90min workshop, plus readings, breakout rooms for chats, yoga for writers and a competition each time.

In addition to ‘Writing on Water’, the 26th October edition of the Great Festival Flash Off includes workshops with Ingrid Jendzrejewski and a discussion/reading/Q&A with Karen Jones and Diane Simmons.

Book for The Great Festival Flash Off here.

Friday 1st November, Clevedon LitFest Writing Competitions prize-giving
Jubilee Lounge, Clevedon Community Centre, aka Princes Hall, BS21 7SZ, from 7.30pm

CompAwards showing KatLyon, bristol poet 2024, on orange and blue backgroundTo announce the winners Clevedon LitFest Writing Competitions, there’ll be an inspiring evening of celebrations and performances. As one of the judges for the short story entries, I can’t wait to meet the writers of the 1st, 2nd, and 3rd award-winning stories, and the writer of the highly commended story.

With a performance from the current Bristol City Poet Kat Lyons. it’s going to be a very special night indeed.

There’s no need to book for this free event – just turn up. See you there?

Saturday 2nd November, Celebration of the Book
Clevedon Community Centre, aka Princes Hall, BS21 7SZ, from 10am

Clevedon LitFest’s Celebration of the Book returns as a one-day convention of books and book arts.

A day-pass for all talks, discussions and readings costs just £15, with workshops costing extra.

Find full details for Celebration of the Book and book here.

I’ll be helping out with talks and panels throughout the day, and sharing a story or two of my own from 5.30pm as part of ‘Exploring the Edges: Literary fiction readings.’

Sunday 10th November, The Laurie Lee Prize for Writing 2024
Lansdown, Stroud, Gloucestershire GL5 1BB, from 5.30pm

As one of the shortlisted authors, I’ll be there to celebrate being part of the legacy of one of my long-time favourite authors and hear readings from the winning entries and those “which most captivated our judges” as part of Stroud Book Festival 2024.

The event will feature a performance of ‘April Rise’, a poem by Laurie Lee, set to music by Jonathan Trim and performed by Every Other Monday Choir, which sounds wonderful!

Book your free tickets for The Laurie Lee Prize for Writing 2024.

Saturday 30th November, The Festival of Stories
SPARKS (the old M&S), 78 
Broadmead, Bristol, from 10am

The celebration of storytelling is a free day bringing together an “eclectic mix of seasoned storytellers, emerging voices and passionate listeners for a day filled with tales that span generations, cultures, and experiences.”

I’m part of the ‘stories for grown ups’ line-up and can’t wait to discover what else is going on.

Book review – Hereafter by Sarah Freligh

Hereafter coverWhen our world has been shattered by loss, how do we carry on? Author Sarah Freligh asks this question, and countless others, in the stormy pages of her novella-in-flash.

Protagonist Pattylee is so real that her revelations read like memoir, with a searing honesty that captures not only her devastation at losing her son Petey, but the complex, wonderful minutiae that made him the imperfect, glorious human she raised as far as she could before brain cancer claimed him.

Some passages are delicious steams of consciousness, as in the opening flash: “What She Remembers: His First Year”, a beautifully smeared blur in which she tells her son “I found you at the end of the rainbow after it stopped raining.”

Petey’s own imagination paints scenery around them, as he tells his mother he was hatched from an egg and had fought at Normandy.

From the explosive narrative of ‘Metaphors for a Tumor’ to the hush of ‘Hospice: Quiet’ where a nurse comments “We die between breaths”, the contrasts in this collection only make the words shine brighter.

Sarah is unflinching as she invites us into scenes where the bereaved Pattylee drinks to dull the pain so she can “stumble on through the night, skid into a new morning.”

The challenges of single parenthood also stand out on the page, especially in ‘Two Days Arter Your Kid Dies, You Go To Work’, garnishing sentences with “a twist of lemon”, “a ghost of vermouth”, and “plastic swords of oranges and cherries the color of fresh blood red”, providing the impression of stinging sharpness as Pattylee soldiers on (to borrow one of the book’s other recurrent metaphors)  “Because you need money to buy the casket you’re paying for in instalments.”

You can taste each devastating page at the back of your throat, while shimmering colours Sarah evokes suggest the rush of life even as it drains away.

The shortness of each flash (some only a paragraph long), heightens the sense of time dashing by through Petey’s brief, vivid life and the ‘Hereafter’ of the book’s title. Throughout, with spaceships, meteor showers and Petey described as mist and glitter, there’s a sense of Petey taking flight.

Gradually, there comes a hint of healing as Pattylee finds her new version of hereafter beyond “the days and days of gray.” There’s something achingly rational about the birthday cake she bakes on what would have been Petey’s sixteenth birthday: “chocolate because she likes it, though Petey never did.”

As a portrait of parenthood, grief and humanity, this book sings, slaps and comforts by turns. The writing is clear, unfussy and distinctly unsentimental, making Pattylee’s emotional voyage utterly believable. From beginning to end, Hereafter is a story that feels necessary, relatable and real.

Hereafter by Sarah Freligh is published by Ad Hoc Fiction. Buy your copy.

This book was given to me in exchange for a fair review.

Enter the Bath Children’s Novel Award

Roman Baths by Judy DarleyThe Bath Children’s Novel Award invites submissions of books for children or teenagers from unaccented, and unpublished or self-published authors worldwide.

Deadline: 30th November 2024
Prize: £5,000, plus the coveted Minerva trophy, based on the famous sculpture in Bath’s Roman Baths.
Entry fee: £29.99 per manuscript with sponsored places available for low income writers.

Initial submissions are up to the first 5,000 words plus one page synopsis of novel or chapter book manuscripts for children, novels for teens, or up to three entire picture book texts with summaries.

Longlisted submissions are whittled down to a shortlist chosen by Junior Judges aged seven to seventeen years. 2024’s winning manuscript will be judged by literary agent Enrichetta Frezzato of Curtis Brown.

Shortlisted authors receive a compilation of Junior Judges’ comments on their full manuscript. All shortlisted authors win feedback worth £180 on their opening pages from an editorial director at Cornerstones Literary Consultancy.

The writer of the most promising longlisted novel will  win a place worth £1,980 on the 18-week virtual course Edit Your Novel the Professional Way from Cornerstones Literary Consultancy and the Professional Writing Academy.

The winner will be announced in February 2025.

Previous winners include Struan Murray for the manuscript of Orphans of the Tide (published by Puffin in 2020), Lucy Van Smit for The Hurting (Chickenhouse, 2018) and Matthew Fox for The Sky Over Rebecca (Hachette, 2022).

Find full details and enter here: https://bathnovelaward.co.uk/childrens-novel-award/ 

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud (dot) com.