Category Archives: Judy’s writing
‘The Tree Inside’ – highly commended by The Laurie Lee Prize
I’m delighted to share the news that an excerpt from my hybrid nature memoir ‘The Tree Inside’ has been highly commended by judges of The Laurie Lee Prize.
All shortlisted entrants were invited to a fabulous awards night as part of Stroud Book Festival. Amidst readings and the beauty of a version of Laurie Lee’s poem ‘April Rise’ set to music by Jonathan Trim and performed by the Every Other Monday Choir, judge Adam Horovitz announced my excerpt as a highly commended entry.
It felt very fitting as the memoir celebrates my dad, who introduced me to Laurie Lee’s wonderful writing, as well as the wonder of nature and the nature of wonder.
Congratulations to the winner Laura Kinnear, and thank you to all the judges: Katie Fforde (chair, pictured), Jessy Lee (Laurie Lee’s daughter!), Norah Perkins (Laurie Lee’s literary agent) Jamila Gavin (pictured), Adam Horovitz (pictured) and Jane Bailey (pictured) for commending my tale.
Thank you, especially, to Jane for telling me how it moved you. I know so many people lose loved ones to dementia, and that for every individual it is both unfathomable and extraordinary.
Published stories
I relish writing and editing short stories and flash fiction, and have a self-imposed rule of submitting every month. If you write, I highly recommend this trick. It ensures that for every rejection, there are still a handful of tales out in the world that may yet be published, plus a gentle flurry of successes to bolster your writing mojo!
Here are some of my recent and upcoming publications.
Coming soon
Fledging – Neither Fish Nor Foul
October 2024
Tall Girl and Lazlo the Terrible – Frazzled Lit.
August 2024
Giraffe Families – Epoque Press
July 2024
All the Lives we Almost Live – Trash Cat Lit
June 2024
Moon Jellies – National Flash Fiction Day Write In
Reasons to Rescue Strangers – National Flash Fiction Day Anthology 2024
Why We Dance on the Pier – Gooseberry Pie Lit Magazine
May 2024
February 2024
Blue-naped Parrots See More Than They Say – New Flash Fiction Review Issue 32 Family Life
January 2024
A Bright Day – winner of the New Writers UK Winter Story competition
October 2023
Mycorrhiza – Flash Frontier GARDEN / MĀRA issue
A Still, Golden Light – The Simple Things Magazine issue 136
What Was Lost & How Insects Signal Their Love – Flash Boulevard
June 2023
Windowledge Archives – National Flash Fiction Day Flash Flood UK 2023
The Long Way Home – National Flash Fiction Day NZ Micro Madness
April 2023
This is Not a Story About Chickens – The Hooghly Review issue 1
February 2023
How Many is 80? Paragraph Planet (scroll to Feb 23rd)
January 2023
Life Hacks – 12 Fragile Things Not to Use as a Doorstop – Wensum Literary Magazine issue 1/Winter 2023
December 2022
Natural Miracles – Flash Frontier Wonder issue
October 2022
The Art of Pivot and Flit – Dually Noted, Brink Literacy Project
September 2022
The Bee Man’s Secret – Flash Fiction Festival Volume Five
August 2022
The Green-Gold of Wet Kelp – Fairlight Books
June 2022
The egret and I don’t belong here – The Phare Literary Magazine Summer 2022 issue
Tricks to uproot a guest who has outstayed their welcome – Tiny Molecules issue 13
After Dad Goes into Care – National Flash Fiction Day FlashFlood 2022
Bees Breathe Without Lungs – Honeyguide Magazine
How to Hook a Heart – And We Live Happily Ever After, National Flash Fiction Day anthology 2022
The Tempest Inside – Micro Madness
April 2022
March 2022
Awkward Liaisons – Flash Fiction Festival Volume Four
Falling in a Forest Mslexia magazine issue 93
Fishing for Green and Blue – Retreat West 10th Birthday Anthology
December 2021
Reasons Your Kefir Might Sour – Litro Magazine Flash Friday
The Only Language He knows Now is Touch – Blink-Ink, Moonlight #46
The Finch in My Sister’s Hair – The Birdseed
The Sea Lives in Her Mum’s Head – Ellipsis Zine
November 2021
The Salt Sting of Learning When To Say No – Flash Frontier
September 2021
My Choice – Six Sentence Stories
Three Shades of Summer – Flash Fiction Magazine
Storm Beckoner – Bandit Fiction
June 2021
Leaf After Leaf – National Flash Fiction Day Write-In
The Hare I Miss – Thimble Literary Magazine
What’s That? – Spilling Cocoa Over Martin Amis
May 2021
Reaching (collaborate work – I wrote the first stanza) – 100 Words of Solitude
April 2021
The Sideways House – Twin Pies Volume IV
March 2021
Enter Clevedon LitFest’s Short Story Competition today
Do you live in North Somerset and write fiction? If so, I urge you to enter Clevedon LitFest’s Short Fiction Competition.
Open to North Somerset postcode residents only, age 19 years or above.
Prizes
- 1st Prize is £100
- 2nd is £75
- 3rd is £50
One short story no longer than 500 words can be submitted.
Closing date = 12th August 2024 at 11.59pm BST.
Entry fee £5 (when paying please give the same email address as that used to submit your entry).
Your entry can only be submitted by email, as an attachment, using the email
address given when you paid your entry fee.
Find the rules and full details here.
Julie Davies won the inaugural Clevedon Literary Festival short story competition with her story Remembrance in 2023. She says: “Winning the Clevedon LitFest Short Story Competition was a huge boost to my confidence as a writer. It’s a badge of validation I wear with pride. Also, it funded a whole new stack of books for my reading pile, thanks to the generous prize money!”
Your judges
Jackie Hales moved to Clevedon in 2022 and is thoroughly enjoying being involved with local writing, reading, singing and walking groups. Before retiring, she taught Creative Writing modules, and back in the 1990s, she was a Poetry Guild national semi-finalist.
Jackie’s Her début novel was published in 2022, with her second due for release in August 2024. She has also had published memoir, short stories, microfiction and poetry, both online and in print.
She has annually marked a writing competition in Yorkshire, and she enthusiastically judged Clevedon Literary Festival short story competition last year, so she is looking forward to reading this year’s entries.
What Jackie is looking for in Competition entries:
“I’m looking for writing that draws me into its world through originality, impact and engaging characterisation, making me want to read to the end. Language use and structure will be carefully crafted for maximum effect on the reader.”
Judy Darley is an award-winning writer, editor and creative workshop leader who relocated to Clevedon in December 2023. She is the author of short fiction collections The Stairs Are a Snowcapped Mountain (Reflex Press), Sky Light Rain (Valley Press) and Remember Me To The Bees (Tangent Books).
She previously judged competitions for National Flash Fiction Day UK and Oxford Flash Fiction Prize, among others. She won first prize in the New Writers UK Winter Story competition 2024 with her micro-tale A Bright Day.
In her other life, Judy is a Community Manager and helps to run conferences about financial wellbeing.
What Judy is looking for in Competition entries:
“I want to be moved by what I read. Although 500 words is no longer than a flash fiction, that’s enough space to create a story arc. There should be some sense of change in the story, if only in the protagonist. I want to read stories that ignite my imagination and capture my heart!”
Good luck!
Discover the secrets of award-winning short story writers
I’m excited to be chairing a panel at Clevedon Literary Festival on Saturday 8th June. From 1.30pm until 2.30pm, I will be interviewing writers Keza O’Neill, whose story Lucky Strike placed 3rd in the 2023 Bristol Prize short story competition, and Julie Davies, winner of the inaugural Clevedon Literary Festival short story competition in 2023.
Book your tickets here for just £5 each. Bargain!
Taking place at St John’s Hall, Clevedon BS21 7XJ, the session will cover creative processes, inspiration, and how you know when you have a potentially award-winning story ready to send out into the world. We’ll talk about the impact of a prize win on your sense of yourself as a writer, as well as what these talented writers are working on now.
Find details of the whole summer festival (5th-9th June) here. There are masses of excellent talks and inspiring events taking place throughout the beautiful North Somerset coastal town across these days, as well as pockets of literary goodness throughout the year!
Your panellists
Keza O’Neill’s story ‘Lucky Strike’, a tale of thwarted rage and a commentary on the gentrification of coastal towns, recently won the Sansom Award and was awarded third place in the Bristol Short Story Prize with her story Lucky Strike. Keza has been longlisted for the Bath Short Story Award 2023, the CWA Debut Dagger 2021 and the Lucy Cavendish Fiction Prize 2019. Keza completed a Masters in Creative Writing in 2023 via The Open University for which she was awarded a Distinction.
Keza is a qualified Coach-Mentor and spent 12 years working in Diversity & Inclusion and Learning & Development in a global Tech company, supporting clients across 40+ countries and multiple timezones. She’s interested in the relationships between people and places and the significance of ‘home’ in shaping identity.
Julie Davies won the inaugural Clevedon Literary Festival short story competition with her story Remembrance in 2023. Her story Just Dessert was the second place winner in the Winchester Festival I Am Writing Flash Fiction Competition 2022.
Julie writes flash fiction, short stories, and poetry, and is currently working on her first novel. One of her favourites of the stories she’s written is about a Martian craterworm.
When she’s not writing, Julie enjoys time with her grandchildren, especially reading with them and encouraging their love of books. She also enjoys tending her garden, walking, visiting RSPB reserves, travelling, sewing, discussing books in her reading group, and a bit of drawing and mindful doodling whenever her mind needs a calming space.
Judy Darley is an award-winning writer, editor and creative workshop leader who relocated to Clevedon in December 2023. She is the author of short fiction collections The Stairs Are a Snowcapped Mountain (Reflex Press), Sky Light Rain (Valley Press) and Remember Me To The Bees (Tangent Books).
She previously judged competitions for National Flash Fiction Day UK and Oxford Flash Fiction Prize, among others, and is one of the judges for Clevedon Literary Festival Open Short Story Competition 2024. She won first prize in the New Writers UK Winter Story competition 2024 with her micro-tale A Bright Day.
In her other life, Judy is a Community Manager and helps to run conferences about financial wellbeing.
See you at ‘Stories for Grown Ups’ at The Festival of Stories, 9th March
I’m excited to be running a segment at Bristol’s Festival of Stories on Saturday 9th March. This fabulous one-day event is celebrating storytelling in all its forms, with a book swap, new and second-hand books for sale, writing workshops, kid-friendly stories with children’s authors, and *trigger warning* there might even be a clown or two… The section I’ve been invited to curate is titled Stories for Grown Ups and is from 2pm-3pm..
The word-revelling event takes over Sparks, the old M&S in Broadmead, from 11am-6pm on Saturday 9th March.
I’m a firm believer that adults benefit from being read to just as much as children do, and have invited some fabulous local writers to join me in sharing their words at Stories For Grown Ups from 2-3pm.
Helen Sheppard is a Bristol-based writer and former midwife whose poetry explores themes of birth, health loss, and those whose voices are often unheard. Helen co-runs Satellite of Love Poetry events. Her debut poetry collection Fontanelle was published by Burning Eye Books.
Emma Phillips’ fiction has been placed in the Bath Flash Award, Free Flash Fiction Competition and Best Microfiction 2022 and appear in various other places in print and online. Her flash collection Not Visiting the SS Great Britain is out now from Alien Buddha Press.
Jude Higgins founded Bath Flash Fiction Award in 2015, has co-run The Bath Short Story Award since 2013 and directs the short-short fiction press, Ad Hoc fiction and Flash Fiction Festivals, UK. Her flash fiction chapbook The Chemist’s House was published in 2017 by V. Press. Another flash fiction collection will be out in 2024.
John Wheway’s publications include The Green Table of Infinity, from Anvil Press; Poborden, from Faber; A Bluebottle in Late October, V Press; writings in New Measure, Stand, Magma, Warwick Review, Poetry Review, Yellow Nib, Poetry Quarterly, Compass, South Word, Agenda, High Window. He won the 2023 Wigtown International Poetry Prize.
Chrissey Harrison writes supernatural thrillers and other spec genre fiction. Books about monsters, magic, action and adventure, and fragile human characters trying to muddle through as best they can. Her debut novel, Mime, released in July 2020, is the first in her Weird News Series. Her short stories have featured in several anthologies, most recently Forgotten Sidekicks (Grimbold Books) and Fire (North Bristol Writers).
I’ll wrap up the session. I’m the author of short fiction collections The Stairs are a Snowcapped Mountain (Reflex Press), Sky Light Rain (Valley Press) and Remember Me to the Bees (Tangent Books). My words have been published and performed on BBC radio and aboard boats, in museums, caves, a disused church and artists’ studios.
It will be an inspiring, emotionally enriching day of events, so why not pop in? With Mothering Sunday just the day after, it’s also a great, unusual way to celebrate any literature-loving mums.
How to keep writing – making sense of the mud
I’ve written articles for mindfulness and creativity magazines about how to stay motivated, and yet this year has been the first where I actually struggled with something like writer’s block myself. Life is a big, unwieldy and yet disproportionately short edifice, and nothing has made me more aware of this than losing my dad last year. My imagination has been narrower and darker than I’ve ever known it, which I think may be hormonal, or a symptom of life.
But, and here’s the sunshine, I’ve continued to write. Not all of it worth showing to anyone, but an occasional scattering of words on a page or a screen that came from my brain to my fingertips in an order that made some kind of sense, even if not the glowing sensational sense I always secretly hope for.
More importantly, I’ve realised that that’s enough – for now, for this muddy, clarty year. (If you don’t know the word ‘clarty’, ask a northerner. Funnily enough, auto-correct wants to change it to ‘clarity’ which is almost the exact antithesis of the meaning).
I’ve realised that while I’ve been fretting about losing my flow, other things have been happening. I’ve been absorbing and thinking and mulling and above all, reflecting. Sometimes we need to hit pause and simply digest.
So if you’ve hit a similar wall or got stuck in some clarty mud, don’t fret. It’s all part of the process, and, hopefully, will pass.
In the meantime, treat yourself kindly, read widely, think deeply, and when the sun shines, walk out into it. Maybe some of that glow will rub off on you and your writing.
Be inspired by a Writing on Water workshop – 30th September
I’m brimming with excitement about teaming up with brilliant poet Helen Sheppard again to teach our on-ship writing workshop Writing on Water. It will take place from 10am-3.30pm on Saturday 30th September 2023.
Whether you write about a raindrop or an ocean, you can harness water as a powerful writing muse.
How do you write about water? Does it trickle? Surge? Roar?
Is it hungry? Foreboding? Volatile? Reflective? Tranquil?
Taking place on Bristol’s atmospheric, historic lightship moored in John Sebastian Quay, this workshop encourages you to draw inspiration from the setting alongside creative exercises designed to help you find original, meaningful ways to use water in your writing.
Whether you write about a raindrop or an ocean, you can harness water as a powerful writing muse.
Start the day gently with readings from your hosts author Judy Darley and poet Helen Sheppard before exploring different ways of using water to shine up themes in your writing, with generative exercises, poetry and prose examples from a variety of writers, and plenty of time to write.
“Judy and Helen led such a supportive and inspiring workshop, with the Lightship as a unique venue. I loved the walk, prompts and time to explore ideas. My story that began on the Lightship went on to win 2nd prize in the Retreat West Flash Fiction Competition!” Emma Phillips, participant in the first Writing on Water workshop in October 2022.
The day at a glance
10am – 12pm Judy Darley and Helen Sheppard introduce the day with two readings to ease you into the theme of water, followed by creative prompts, generative writing exercises, examples, time to write and the opportunity to share your writing if you wish. Hot drinks and biscuits are included in the ticket price.
12pm – 1pm Inspiration-gathering harbourside walk (less than a mile in total) with prompts to engage each of your senses, and time for lunch (not included, but lots of options around the venue in Bristol, or bring your own).
1pm – 3pm Generative writing exercises, hot drinks and homemade cake (included in the ticket price), plus the opportunity to work with other writers, and the option to share your writing from the workshop.
3pm – 3.30pm Your chance to ask questions about how to develop your writing, what to do with it next (such as performance or publication), and share feedback on the day’s experiences.
Book your ticket for Writing on Water.
Why write about water?
I’ve been drawn to this mercurial, enigmatic element throughout my writing career, opening my debut short story collection Remember Me To The Bees with a story titled ‘Never seen the Sea’.
Fiction, non-fiction and poetry can all swim into watery themes, whether that’s to add atmosphere, provide a setting or build an evocative metaphor.
As a taster, here’s a splash from ‘Never seen the Sea’ from my short story collection Remember Me to the Bees:
A triangle of blue sharper and brighter than the sky – that was the first of it. Then a tang in her throat like the savoury suck of a chip dipped in salt and vinegar.
As she got closer, other sensations rang through her: a crack and crash like a glass falling and rolling and splintering again and again in a bathroom washbasin; a deep breath in, gasp out shuddering through the shore; the freshness of rain in the air, bursting against her skin from every direction possible.
And the triangle soared, spread out, transforming into a strip that hurtled all the way to the horizon, meeting the sky with a dazzle that forced her to glance away; a size too vast to comprehend; bigger than the confines of her mind could contain.
But more than that was the endless movement, less like one vast thing than a mass of smaller things, heaving, jostling, vying for the surface yet never quite breaking through.
Who will be teaching you?
Judy Darley is a fiction writer, journalist and occasional poet from Bristol. Her fiction has been described as ‘shimmeringly strange’, possibly because she can’t stop writing about the infinite fallibilities of the human mind. Judy’s words have been published and performed on BBC radio and harbour walls, as well as in bookshops, museums, cafés, caves, pubs, a disused church and an artist’s studio. Judy is the author of three fiction collections: The Stairs Are a Snowcapped Mountain (Reflex Press), Sky Light Rain (Valley Press) and Remember Me To The Bees (Tangent Books). Find Judy at SkyLightRain.com and on Twitter as @JudyDarley.
Helen Sheppard is a Bristol-based writer and worked as a midwife. Her poetry explores themes of birth, health loss, and those whose voices are often unheard. Helen has performed her poetry at Milk Poetry, RTB, Torriano Meeting House and Harvard Medical School. Her poems have been published widely, including These are the Hands. Helen co-runs Satellite of Love Poetry events. Her debut poetry collection Fontanelle was published in 2021 by Burning Eye Books. Helen interviews extraordinary poets for her podcast Health Beat Poets. Find Helen on Twitter as HelenSheppard7 and on Instagram as helensheppard58.
Unlock your fairy tale toolkit
Are you coming to the Flash Fiction Festival 2023. The in-person version of the festival unfurls from 14th-16th July, welcoming fabulous flashers including Kathy Fish, Nancy Stohlman, Ingrid Jendrzejewski, Carrie Etter and Tania Hershman.
The weekend takes place at Trinity College, Bristol, and is packed with inspiring workshops tackling every aspect of flash fiction.
From 8.45am to 9.45am on Sunday 16th July, I’m inviting writers to wake up with my ‘Unlock your fairy tale toolkit’ workshop where fairy tale motifs offer the chance to shine new light on modern day darkness. We’ll be examining the fairy tales that resonated with us when we were children, and still resonate now, looking at what gives fairy tales their magic (hint: it’s not fairies), and writing the first draft of our own flash fiction fairy tales.
Review and interview – The Stairs Are a Snowcapped Mountain
I’m delighted by Sarah Tinsley’s lovely review of my Reflex Press collection The Stairs Are a Snowcapped Mountain and thought-provoking accompanying interview. Thanks Sarah!
Sarah, who is a brilliant author herself, writes:
“I’m absolutely thrilled to be welcoming Judy Darley back to the blog. Last year I featured her collection Sky, Light, Rain, a themed collection that contained beautiful stories and gorgeous writing. This time, we’re talking about The Stairs Are A Snowcapped Mountain, a collection of stories that similarly revolves around the natural world and relationships, but feels a little darker at the edges.
One thing I love about Darley’s writing is the style. There are the odd turns of phrase that just lift the whole story off the page, like ‘mushroom-hued water’ from Tidal Suck and ‘Crumbs drop between us like pollen. Like rain.’ from Wild Times. (…) The way she captures the essence of these lives in sometimes very short pieces is truly astounding. Do take the time to read it, you won’t regret it.”
Sarah asked me some really interesting questions, which gave me the chance to mention some favourite characters and stories, including Hera in Self-Defence Against Yesterday, Pippa in Tunnelled, Zel in Stealing from Windowsills, and the River in Why Rivers Run to the Sea. We also talked about Stretching Out, about a grandfather’s influence on his granddaughter’s love of nature, and one of my favourite stories to read aloud.
Read the full review and interview here.
Find out more about The Stairs Are a Snowcapped Mountain and purchase here.