Book review – Elephant Tales by Mark Shand

Elephant Tales by Mark ShandGiven to me by my sister as part of a boxset of Penguin 60’s miniatures, this small volume has been travelling with me everywhere recently, and aptly so as it’s one of the finest examples of travel writing I’ve encountered.

In Elephant Tales, Shand is learning to drive Tara, a female elephant of great dignity, stubbornness and, intermittent whimsy. Like an eccentric great aunt and errant toddler in one, she ambles her way through the pages and into your heart.

The fondness and respect Shand feels for this pachyderm. Carrying him on her back and occasionally, though more often not, doing his bidding, Tara offers the author, and us, an uncommon view not only of the atmospheric Indian landscape, but also of the people and wildlife that populate it.

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To the wilds of Iceland and back again

Mountains, Iceland by Lilly Louise Allen

Mountains, Iceland by Lilly Louise Allen

Falling for picturebooks as a child fuelled Lilly Louise Allen’s determination to become an artist.

“I was absolutely in love with my picture books as a child, the more detailed the better!” she recalls. “I had a great imagination and was always making something from posters to little books.”

At school Lilly continued to learn new skills and express herself through art. “Then I feel there was a lightbulb moment with the ‘new wave’ of Illustration which happened in the early millennium – then there was a resurgence of books on the subject and companies used illustration more frequently. A book which really got me into contemporary Illustration and realising it was a viable occupation was ‘Hand to Eye’ by Lawrence King Publishing, which showed a broad range of Illustrators at work at the time.”

Other influences include the work of Lucinda Rogers, Julie Verhoeven and Tom Gauld. “I’m attracted to the storytelling that can be accomplished with just a single picture, the magic which can be created and the fact that an illustrator can orchestrate the mood of a picture, from humour and charm through to the surreal and thought provoking.”

Inspirations included “people, food, the countryside, the sea, travelling, reading, other artists – all sorts of different subjects! I don’t like to limit my subject matter either; I’m open to trying anything new if it feels good.”

Green House, Iceland, by Lilly Louise Allen

Green House, Iceland, by Lilly Louise Allen

More recent adventures include an artist’s residency in Iceland.

“I had been thinking about doing an artist’s residency but it felt like more of a daydream than something that would come to fruition!” she admits. “I looked at several websites and found the Residency Unlimited website. It was full of amazing places but The Fish Factory Creative Centre in Stöðvarfjörður in the east fjords immediately stood out to me. It looked like looked like an absolutely beautiful place and the ethos behind the centre really resonated with me.”

She quotes from the website: “The Creative Centre is an ongoing collaborative and community project and our actions and aims are based on sustainable principles and alternative methods. We want to regenerate and sustain our small village by making it into a possible and desirable place to settle – a place where you can have engaging jobs, enjoy culture, and the influx of new ideas and creative people.”

No wonder Lilly couldn’t resist. Living as she does on the Isle of Wight, Lilly also felt an affinity with the isolated located.

“I live on an island which is often faced with similar issues, certainly a lack of jobs and opportunities, especially for the younger generations growing up here. With shops and community facilities frequently closing down, it’s often Art in its varying forms and community that can help more than anything else.”

Lilly set off for Iceland with these thoughts firmly in mind. “I wanted to look at the importance of solitude to myself and to people in general,” she says. “To be alone but not lonely is something I find interesting. It’s often in these quiet times that our strongest ideas can appear and we find what we really want from life. I certainly found the time for quiet contemplation and a peacefulness inspiring. It feels completely unique to Iceland and particularly to the remote East Fjords where Stöðvarfjörður is located. There were no planes flying over head, few cars passing you by on the roads, no crowds of people or noises other than the wind, the water coming into the shore and the sound of your own footsteps – heaven.”

Turf House, Iceland by Lilly Louise Allen

Turf House, Iceland by Lilly Louise Allen

The life in the village and what she calls “the human element” also interested Lilly. “Many homes are occupied but there are a lot of holiday homes and some which are empty,” she says. “I took photos of every house in the main part of the village and it really made me look at each of their characteristics, reflecting the people who resided inside currently or in a previous occupancy. I also created large watercolour pictures which I hope reflect all of these thoughts.”

In addition, Lilly took sound recordings at places where she paused during her walks around the area. “It felt good to try things which I don’t normally do – photograph and sound are new elements in my work and were influenced by the other artists I lived with, which was another wonderful part of the Artists’ Residency!”

Lilly came away with a sense of being at the start of something special. “I’m pleased with what I created whilst I was there but I feel it is only just beginning in a way,” she says. “I can now reflect on everything and find a way of consolidating the project in what I hope will be an exhibition.”

Preparing to work by Lilly Louise Allen

Preparing to work by Lilly Louise Allen

Lilly relishes her life as an artist. “What I love most is that magical time when I’m painting and am completely unaware of what’s going on around me, when the work is immersive and it feels exciting,” she says. “It’s quite hard to explain but its much like when you’re reading a great book and can’t wait to read the next line, the next chapter and then you wish it wasn’t over when you’re finished. If people can sense that feeling when they look at the work and it makes them feel something too then there’s nothing better.”

You can see more of Lilly’s work at www.lillylouiseallen.com, read her blog at www.lillylouiseallen.blogspot.com and find her on Twitter as @LillyLAllen and on Instagram as @LillyLouiseAllen. She will be taking part in the Isle of Wight Open Studios from 14-24th July 2017.

Are you an artist or do you know an artist who would like to be showcased on SkyLightRain.com? Get in touch at judydarley (at) iCloud.com. I’m also happy to receive reviews of books, exhibitions, theatre and film. To submit or suggest a review, please send an email to judydarley (at) iCloud.com.

Beneath the surface

Turtle by Cai BurtonArtist Cai Burton has a unique talent for capturing the natural world. Using fineliner pens, he fills pages, and the occasional wall, with swoops, circles and dots that conjure up a creature or scene that bubbles with life.

“I think I’ve always loved making patterns,” he comments. “You look back to my school books and they were covered in them. My friends used to sit and watch me draw in our physics class (Sorry Mr Gregson and Ms Wales!). But since then, that’s carried through and become an intrinsic part of the work I create today.”

The Great Bear by Cai Burton

The Great Bear by Cai Burton

Cai describes the work of creating his artworks as a mindful experience. “I absolutely love the process that goes into it, and I think that’s as important as the finished piece,” he says. “It’s almost as though I’m watching the illustrations come to life as I’m drawing them, which is a cheesy, but exciting, feeling.”

Recently Cai has begun producing mugs and greetings cards emblazoned with his patterns, as well as carrying out mural commissions for clients such as Mercure.

His marine series have become an enduringly popular part of his output, but began on a whim. “I just fancied drawing a whale, so I did!” he says. “In all seriousness, though, I’m both in awe and terrified of the ocean, and I was feeling inspired to create something different. I like to think of it as inspiration striking in a flash! Ever since then I’ve enjoyed finding more about the amazing creatures that inhabit our oceans.”

His respect for these animals shows on the page – portrayed usually in black on white, their strength and serenity is vividly portrayed.

Seahorses by Cai Burton

Cai is equally passionate about the work dreamt up by other artists. “Generally, I love finding work from other illustrators and artists! It’s SO inspiring when you find someone who creates beautiful work – I love it.”

He thrives on the energy generated by following his own creative urges.

“I really love being my own boss,” he says. “I love the freedom to be able to do exactly what I want and not to answer to anyone – well, except for clients. It’s amazing to be able to come into my studio and decide to just spend the morning drawing, because I can. It means I can really shape my business into something I love and am proud of.”

Cai’s work frequently appears at art markets and art trails in the Bristol area. “I’m also exhibiting at Grounded in Horfield, where you can see my animal illustrations as well as a few others,” says Cai. “I’ve just launched a brand-spanking new website which has got all of my illustrations as prints and products as well as a collection of most of my work.”

Find it at www.caiburton.co.uk.

Mercure-Mural-Mark-006Are you an artist or do you know an artist who would like to be showcased on SkyLightRain.com? Get in touch at judydarley (at) iCloud.com. I’m also happy to receive reviews of books, exhibitions, theatre and film. To submit or suggest a review, please send an email to judydarley (at) iCloud.com.

Book review – Some of Us Glow More Than Others by Tania Hershman

Some of Us Glow More Than Others by Tania HershmanThis luminescent collection of short stories and flash fictions offers up Tania Hershman’s unmistakable blend of the poetic, the uncanny and the deeply human. Drawing from a background in physics and a fascination with other sciences, Hershman explores our predilections and imperfections with effortless eloquence.  Through her writing you’ll feel yourself at one with nuns, researchers and divers alike, not to mention gas molecules and eerie little immortal girls.

I often see colours when reading fiction, and Tania’s tales in this collection are shot through with shimmering shades – pools of silver, midnight blue, aquamarine and ultramarine are gorgeously offset by threads of vermilion and gold.

Each of the tales examines, in its own way, what it means to be human, and the potential kindnesses and cruelties lying in wait both around and within us. While many lead us into laboratories, other sneak us into more unexpected places of moral and quizzical reflection, sometimes under cover of darkness.

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Poetry review – Hope Alt Delete by Nikki Dudley

HopeAlitDelete CoverPoet and author Nikki Dudley’s first full length collection is small, spiky and full of attitude. Rolling out and tuning into a multitude of voices, it feels like a conversation only half-overheard. Tantalising segments glimmer on the page, inviting us to move closer, listening harder, and maybe pocket a shining phrase or two to carry home and examine at our leisure.

Nikki’s energy rustles behind each line, as she plays with familiar words and makes them at once more explicit and more unknown. Sentences stretch in strange, beguiling directions, or curl up tight, and words skip defiantly into slots that seem meant for something else, or break up entirely in ways that insist we regard them anew.

“Can you under-stand me?
Can you over-stand me?”

In other spaces, words are superseded by font, punctuation and blank lines that express everything you need to know. Continue reading

Illuminated myths

Winter Mural by Florence Jackson

Winter Mural by Florence Jackson

When visiting Cardiff recently, I happened to wander into the Wales Millennium Centre and discovered a mural of such imaginative beauty that it stopped me in my tracks. Emblazoned with tigers, dragons, foxes and more, it conjured up the sense of folk tales, myths and literature from a multitude of cultures.

When I got in touch with the artist, Florence Jackson, it became clear that this was no fluke.

“I remember as a child, my dad would read me bedtime stories including a lot of Roald Dahl books,” she says. “I loved the vivid imagery that came to mind and transport me to a different place, inviting me to take part in the adventure…”

Florence’s interest in illustration sprang from the same source. “Quentin Blake always stood out to me – his illustrations worked perfectly in sync with Roald Dahl’s words,” says Florence. “His fluid lines have always looked so effortless. I don’t really think I actively chose to be an artist; it was and always has been my way of communicating thoughts and ideas (and I have a lot of them!).”

She adds: “In the day to day, I’m always drawn to imagery and design, whether it’s some rice packaging at my local shop or a quirky poster in the underpass on my way to work, there’s always something visual that speaks to me.”

Florence regards illustration as “an all-encompassing art form, which allows you to work through any chosen medium. To me, it’s all about communicating ideas in a way that even people who ‘don’t really get art’ get. I don’t believe art should be exclusive.”

Florence found herself being directed towards illustration after studying Fashion & Textiles at Pembrokeshire College. “I much preferred designing and illustrating the garments than the creating part,” she admits. “Seams and hems were not my forte. When I went on to study illustration in university, I worked in photography, print, ceramics, paint… There were no boundaries. I really enjoyed this freedom of expression.”

Kraken by Florence Jackson

Kraken by Florence Jackson

I love the way Florence’s art often resembles scenes in stories, so it was no surprise to discover that her inspiration reaches beyond Quentin Blake and Roald Dahl.

“I was largely influenced by Eastern philosophy, Folk Art and Indian miniature paintings,” she says. “My projects don’t really have a beginning, middle and an end ­ they’re sort of an ongoing series that started when I first started drawing. I see everything as a story though, always wandering to myself where people at the bus stop are going. Do they live alone? Do they have a cat? Are they in love? I feel sort of obligated to make up stories for them.”

Florence’s commission for the Wales Millennium Centre come about when she was contacted by Lydia Meehan, the Centre’s arts and creative officer.

“Lydia had studied illustration in the year above me and had remembered my work,” says Florence. “Initially she’d spoken about doing something for the Diwali celebration, but instead it opened up into a winter theme.”

Winter Mural by Florence Jackson2

Winter Mural by Florence Jackson2

The main challenge was the sheer size of the piece, stretching a massive 8x5m sq. “I’m used to working on A3 sheets of paper normally!” Florence exclaims. “To be able to reach the space, I had to get a cherry-picker license, which was a pretty scary ordeal. I don’t even drive a normal car, so turning up to an industrial estate to navigate a seven-ton vehicle round some orange cones whilst elevated 10 meters in the air was pretty terrifying.”

Understanding when the artwork was complete was also difficult. “Knowing whether to add another tree or some more stars… It was difficult to walk away and say it was finally done.”

The mural represents parallels between a wide range of winter-themed stories. “I wanted to look at the similarities within religious winter tales, such as Babushka, Diwali, Hanukah and Christmas,” says Florence. “Most involved a pilgrimage of some sort, often following a light towards warmth and shelter. This is what I wanted to convey – coming out from the cold dark night and into the warm festive spirit with people from all walks of life. I wanted to depict togetherness and safety, which I think is what we’re all looking for, especially when there seems to be so much conflict and uncertainty in the world.”

Florence considers art to simply be her means to live, eat and interpret the world.

“I still have to make money to pursue my artistic endeavors,” she says. “I think it’s just a way of seeing the world that makes things a little more magical, noticing small details that may otherwise be invisible, conjuring up fantasies of great escapes and adventures.  It’s just something I have to do, or need to do… it’s the language I speak best.”

Currently Florence is working on new material and focusing on freelance illustration, with new murals and a possible animation in the pipeline.

You can find out more at florencejacksonillustration.tumblr.comwww.facebook.com/florencejacksonillustration and www.instagram.com/flow_illustrates

Are you an artist or do you know an artist who would like to be showcased on SkyLightRain.com? Get in touch at judydarley (at) iCloud.com. I’m also happy to receive reviews of books, exhibitions, theatre and film. To submit or suggest a review, please send an email to judydarley (at) iCloud.com.

Poetry review – Take This One To Bed by Antony Dunn

Take This One to Bed by Antony DunnIn an homage to rural and suburban living, and the creatures that live among (and, in one case, within) us, poet Antony Dunn examines human nature by setting it alongside, well, nature.

We meet spiders, newts, frogs, slugs, sheep, mice, bats and crows startled to “beating black”; unborn children, born ones, and, most evocatively, lovers, all sensuously laid out in deceptively simple verses that summon up the world.

For me, Leaving: vi Two Mohitos in Bratislava, feels plucked from my own memory; causing my mouth to flood with a craving for the zing of citrus and mint. The word choices are crisp and visceral – happiness is sucked, a quartered lime fished, an ice-cube shunted. It’s deeply, satisfyingly, envy-inducing.

Even in a poem about a solo journey, Dunn conjures flavour and texture by mentioning “the woman with her honey in mis-matched jars” and  “sunlight quickening/ the dust and tar/ and rosemary”.

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Early signs of summer

Signs of Summer by Molly GarnierThe painting shown here is Signs of Summer, and depicts a scene of rural England I’m instantly drawn to, with a familiarity that’s irresistible. I love the sense of energy in it – you can feel the breeze racing the clouds along and casting their shadows fleetingly over the sunlit land.

For Molly Garnier, the artist of this painting, capturing views like this is second-nature. “I loved art from a very young age, especially painting,” she says. “It was my favourite subject at school and I was extremely lucky to have a very good art department and access to all materials at school.”

She vividly recalls going to see some huge Jenny Saville paintings when she was 17. “I remember thinking that was what I wanted to do. I wanted to create paintings that had an impact and struck a chord with people’s emotions and thoughts.”

Molly graduated from Edinburgh College of Art, where her primary subject was painting the female nude.

“It wasn’t until five years later when I moved back to Norfolk with my husband that I started painting the landscape,” she says. “I remember being totally amazed by the huge skies that Norfolk has and the magical beauty on my doorstep. I love trying to recreate an atmosphere and reflect how it feels to be in that place at that chosen time.”

Long country and coastline walks are an essential part of this process. “I usually take my camera and sketch book,” she says. “I try to add small pockets of detail and sharp focus and play with the ethereal quality of the light.”

Her preferred material is oil colour. “I use some large nylon brushes and then small fine line brushes for detail,” she says. “I always paint on wood that I have primed. I love the very fine grain of the wood and the way you can see brushstrokes and rub back.”

Marsh Light by Molly Garnier

Marsh Light by Molly Garnier

She continues to paint nudes as well. “I did life drawing at Art College and studied the masters such as Caravaggio and Degas,” she says. “I went on to do my degree show about the impression of voyeurism and looking upon an intimate nude scene. I love the skin tones and the way the skin can seem to glow.”

Molly says that unless she picks up a paintbrush during a day, she doesn’t feel quite herself. “Painting makes me feel complete – it’s my therapy,” she explains. “I paint a lot of commissions, mainly of a chosen landscape that’s personal to the client and I really love seeing people’s faces when they receive the painting.”

She adds: “I’ve been extremely lucky to exhibit in over 80 exhibitions and sell a vast number of works that hang in people’s houses. It makes me very happy to know that my work has created an impression on someone.”

Tide Walker by Molly Garnier

Tide Walker by Molly Garnier

Molly exhibits regularly at Lime Tree Galleries in Bristol and Long Melford. She’s represented on the online Affordable Art Fair site, and is  an artist at The Gallery in Norwich and Cromer.

Find out more at mollygarnier.co.uk.

Are you an artist or do you know an artist who would like to be showcased on SkyLightRain.com? Get in touch at judy(at)socketcreative.com.

Love, and all that

Valentine's Day card 2017 cr Judy DarleyLove, I’ve learnt, is a thing entirely separate to the expensive ideals showered upon us by the folks who make money from spinning aspirations. It may involved flowers or chocolates or even diamonds, but more crucial are the quirky day-to-day things that set your relationship on an isle of its own.

Finding love is about being in the right place at the right time and happening to look in the right direction.

Being in tune with a person and having your eccentricity celebrated; sharing a certain silliness you may prefer not to unveil in front of other so-called grown ups; feeling an intense happiness at coming home to a particular other all add up to keeping that love real.

However and whoever you love, give them a squeeze today to remind them.

Painting Iceland

Icelandic View by Judy DarleyIf you know me, or if you’re a regular visit to SkyLightRain.com, you’re probably aware that my obsession with art is growing increasingly consuming. I’ve even begun creating artworks of my own, attempting to capture my responses to the views around me.

My trip to Iceland earlier this month was particularly rich in visual fuel – snow, skies, rocks and unfamiliar textures abounded. I came home with a headful of impressions, and rather than simply translate these into words, as I usually do, I have made efforts to churn some of it out in the form of art.

After carrying out a few sketches, and watching a wonderful ‘wet-on-wet’ Windsor & Newton watercolour masterclass, this is what I came up with.

It’s not quite what I see in my head, but it’s far closer than I expected to get, which makes me very happy.