Enter the Bridport Prize 2024

Pebble man by Judy DarleyThe Bridport Prize, one of the UK’s most prestigious writing competitions, is currently seeking your short stories, flash fiction, poems and debut novels.

The deadline for all competition entries is 31st May 2024.

All entries are judged anonymously. To avoid disqualification, make sure you do not include your name, address, phone number, email, website, twitter handle etc on the document or in the file name.

Poems may be up to 42 lines in length (not including the title). There is no minimum line count. The entry fee is £12. The winning poet will receive £5,000.

Short stories may be up to 5,000 words long. The entry fee is £14. The winning short story writer will receive £5,000.

Flash fiction may be up to 250 words long. The entry fee is £11. The winning flash fiction writer will receive £1,000.

Novel extracts must be between 5,000 and 8,000 words long taken from the opening chapters. You must also supply a 300-word synopsis, which should be the first page of your entry. The fee is £24.

First prize is £1,500 plus mentoring by The Literary Consultancy and consultations with literary agent AM Heath and publisher Headline.

Memoir extracts must be between 5,000 and 8,000 words. You must also supply a 300 word overview. The fee is £24.

Bridport Prize judges

Liz Berry is the poetry judge. Liz is an award-winning poet and author of critically acclaimed collections Black Country (Chatto); The Republic of Motherhood (Chatto); The Dereliction (Hercules Editions) and The Home Child (Chatto), a novel in verse. Her poem Homing is part of the GCSE English syllabus.

Wendy Erskine is the short story judge. Wendy is a Fellow of the Royal Society of Literature, an interviewer and broadcaster. She has published two short story collections Sweet Home and Dance Move with Stinging Fly Press and Picador. A past Seamus Heaney Fellow at Queen’s University Belfast, she is a secondary school teacher.

Jasmine Sawyers is the flash fiction judge. Jasmine is a Kundiman fellow and Indiana University MFA alum. Their work has won awards from Ploughshares, NANO Fiction, Fractured Lit and Press 53, appearing in Norton’s Flash Fiction America, Best Microfiction, SmokeLong Quarterly and Wigleaf. Their Anchored World book was a PEN finalist.

Ross Raisin is judging novel entries. Ross has written four novels: A Hunger, A Natural, Waterline and God’s Own Country. His work has won and been shortlisted for over ten literary awards. He won the Sunday Times Young Writer of the Year award and was named the Best of Young British Novelists on Granta’s once in a decade list.

News of the Bridport Prize Memoir competition coming soon.

Don’t forget to check out the Writers’ Room on the Bridport Prize website for resources and inspiration.

Find full details and enter your creative works at www.bridportprize.org.uk. And don’t forget to sign up for their newsletter full of useful tips and inspiration.

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud(dot)com.

Book review – Each of Us a Petal by Amanda Huggins

Whatever season you choose to read, or give, these stories by Amanda Huggins, the gently tended sentences will reward you with a deep sense of connection with nature. Each is a portrait of a character treading carefully through their own personal emotional landscape, set against the sensorial wealth of Japan. Amanda candidly reveals her own fervour for this country in the collection’s foreword and closing essay. Once you start reading the stories, you’ll find the author’s enduring interest in and passion for this country and the people who live or visit it seeping under your skin.

Yearning is portrayed as the enduring human condition, with hints of loneliness and solace whispered in the most enticing settings where hints of Japanese folklore occasionally wriggle into the heart of contemporary tales.

These strands weave together exquisitely in An Unfamiliar Landscape, where we explore a mountainous wilderness with protagonist Sophia: “Dropped into the silence, every noise had a clear meaning, each sound demanded her attention. She was finally connected.”

The remedy for loneliness, it seems, is to be outside amid the beauty of nature.

This idea is reiterated in The Same Pretty Eyes, as protagonist Edie decides to step outside “to salvage something beautiful from the tail end of the day. That was all she wanted: a few moments in the mountain air, the smell of damp bark, the darkening night, the first faint stars.”

In the single-page story Sparrow Footprints, Amanda captures the sweet melancholy lingering in the words unspoken and demonstrates the power of white space on the page. It’s an example the author’s powers of constraint, with every sentence carved and stacked to build into a story’s perfect range. She is the master of crafting and presenting a moment’s interaction between two people, imbuing the most seemingly straightforward setting with drops of emotion that ripple our far beyond the edges of the scene.

In several of the tales, Amanda gifts us artfully understated moments with the bitter-sweet aftertaste of  Kazuo Ishiguro’s The Remains of the Day.

From the love embodied in a jar of sweet bean jam to the precision of raked gravel the stories chime with our expectations of Japan while delicately breathing life into the scenes and characters. These stories dive far deeper than the surface clichés and show us the respect of the author through the aspects she chooses to illustrate her themes. You’ll emerge with all your senses tingling from the pleasures of relishing minor details, from a simple cup of tea to a fleeting interaction with someone, or somewhere, with the potential to be the love of your life.

Following the closure of Victorina Press, you can buy signed copies of ‘Each of Us a Petal’ directly from the author.

This book was given to me in exchange for a fair review.

What are you reading? I’d love to know. I’m always happy to receive reviews of books, art, theatre and film. To submit or suggest a review, please send an email to judydarley (at) iCloud.com.

Writing prompt – Oh, duck

Duck and ducklings_Photo by Judy Darley

As I meander through the streets of my North Somerset town, I occasionally glance into back gardens in case there’s a dog or cat to say hello.

This time I got more than I bargained for as I spotted a female mallard, then realised she was surrounded by tiny ducklings. As the mother duck saw me, she quickly ushered them between the slats in the wooden fence, up the footpath and onto the pavement. They waddled off roughly in the direction of the nearest river, cheeping and quacking all the way.

Where did they hatch in such a human neighbourhood? What brought them to this doorstep? Can you turn this into a tale that explores how we live alongside wildlife, even when we’re not aware of sharing our streets and, as in this case, gardens?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Writing prompt – comma

Comma butterfly1. Photo by Judy Darley

I encountered this gorgeous butterfly sunbathing on a patch of mud beside a river. It seems like an unimpressive patch of land, and yet this butterfly, known endearingly as a comma, found exactly what it needed here. In punctuation, commas offer a pause and a moment to simply breathe, which makes this sighting particularly apt.

I love how its wings look storm-torn or artfully picot-edged, depending on your viewpoint.

I looked up the species on the Butterfly Conservation website, where it states “Polygonia c-album, the comma, is a food generalist butterfly species belonging to the family Nymphalidae.”

It also says: “The species has a flexible life cycle, which allows it to capitalize on favourable weather conditions. However, the most remarkable feature of the Comma has been its severe decline in the twentieth century and subsequent comeback. It is now widespread in southern Britain and its range is expanding northwards.”

This adaptability must have helped in its survival story. What can we learn from this? Can you harness this as a fluttering off point for a hopeful story or other creative work?

In the meantime, I’m looking forward to spotting my first semi-colon butterfly or ellipsis butterfly…

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Writing prompt – gulls

Gulls over Clevedon Pier_Photo by Judy Darley

This spring has been so unsettled – some days are calm and sunny, while others storm from dawn to dusk and beyond. While smaller birds like sparrows take shelter in coastal bushes, these gulls are riding the rioting wind and look like they’re loving every moment.

Add in a human with a bag full of birdseed, and the mayhem increases.

Can you imagine yourself as a gull, a sparrow, the person with food, or a bystander? Why not use this cast to create tumultuous tale?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Join Writers & Artists’ ‘Writing Your Children’s Book’ course

Climbing by Judy Darley

Do you have a passion for writing for children? The folks at Writers & Artists are hosting an online Writing Your Children’s Book course, taking place from 8th May 2024 6:30pm to 12th June 2024, with sessions lasting from 6.30pm to 8pm

The course costs £350, and will be taught by Lesley Parr, the author of three novels for children. Her debut, The Valley of Lost Secrets, was published in 2021 and was both a Waterstones Book of the Month and longlisted for the CILIP Carnegie Medal. It won the Tir na n-Og Award, the King’s School Chester Book Award and the North Somerset Teachers’ Book Award, as well as being shortlisted for many others.

Where the River Takes Us is described by Waterstones as “an engrossing, character-driven tale of urban legends and personal discovery set during the era of the three-day week of 1974.”

They say: “The stories we read when we are young shape us. This May, join us for a six-week online course (including a reading week) to help develop your craft and work towards the publication of your children’s book.”

The course will explore creating memorable characters, world-building and structure, as well as offering insights into the children’s book market and how to improve your chances of getting your work published.

The course will suit children’s fiction, middle-grade and YA authors* at all stages of their writing journey, whether you have an initial idea and want to know where to start, or have a full draft and need help with revising and making it the best it can possibly be.

Sessions will run online via video conferencing software, with homework assignment deadlines for the following week.

All attendees will receive a complimentary copy of the latest edition of the Children’s Writers’ & Artists’ Yearbook as well as Lesley’s latest book.

Schedule

Week One: The Children’s Book World

Wednesday 8th May

  • What it is and how your writing fits in
  • Age ranges
  • Word counts and content
  • Themes, trends and genres

Week Two: Getting Started and Keeping Going

Wednesday 15th May

  • To plan or not to plan
  • Stimulating ideas
  • Ways to get unstuck
  • Building confidence
  • Finding a community of writers

Week Three: Character Development

Wednesday 22nd May

  • Creating memorable and believable characters
  • Viewpoints
  • Authorial and character voice
  • Dialogue
  • Character motivation

Week Four: Reading Week

Wednesday 29th May

This will not be a teaching week. Instead, students will have an opportunity to read a short children’s book set by Lesley, and encouraged to work on their writing, prompted by this.

Week Five: The Story

Wednesday 5th June

  • The messy first draft
  • Plot and structure
  • Settings/ worldbuilding
  • Pace

Week Six: Shaping up for Publication

Wednesday 12th June

  • Editing
  • Query package
  • Improving your chances
  • Synopsis

Book your spot here: https://www.writersandartists.co.uk/events-and-courses/writing-your-childrens-book-2024

Got an event, challenge, competition, opportunity or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) iCloud (dot) com.

Writing prompt – afoot

Tree foot. Photo by Judy Darley

Trees are magnificent natural sculptors. My sister recently shared a photo of a trunk with one glorious moss-covered ear. I’ll take that ear and raise it with this rooted foot contemplating a Shakespeare-esque or Tolkien-worthy march through the woods in North Somerset. Or perhaps I’ve accidentally taken a photo of Roald Dahl’s BFG without his slippers on, and he really needs to trim his toenails.

Whatever the truth, something’s afoot…

Can you let your imagination run free and turn this into a magical tale?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Writing prompt – bubbles

Bubbles_Photo by Judy Darley

At a nearby sculpture woodland called Ty Sculpture Trail, one of the highlights is a natural phenomenon rather than human-made artwork. At the Bubbling Pond, silvery bubbles rise from the depths to cast circular ripples. It’s a gloriously tranquil setting.

The trail makers claim no one knows what causes the bubbles, and suggest it could be a dragon snoozing in an underwater cave.

What myth or bubble-blowing science could you attribute the bubbles to? Can you create a character who shares this idea as a tale within a tale, and give them a someone to tell it to? What might the consequences be?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Enter the Bath Short Story Award 2024

Roman Baths pigeons by Judy DarleyThe annual Bath Short Story Award is open for entries from aspiring and established writers worldwide.

The competition closes to entries on Monday, 15th April at midnight BST. You’re invited to submit stories up to a maximum of 2,200 words on any theme or subject.

The year’s judge is award-winning novelist and short story champion, Sophie Haydock. Read an interview with her.

Each submission costs £9.

The Bath Short Story Award prizes

First prize: £1200
Second prize £300
Third prize £100
Acorn Award for an unpublished witer £100
Local writer prize £50 in book vouchers donated by Mr B’s Emporium of Books, Bath.

Final Results will be out by July/August 2024.

Find full details of how to enter here. Good luck!

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at JudyDarley (@) iCloud (dot) com.

Writing prompt – private

Private gate_Coastal Path. Photo by Judy Darley

On the UK’s coastal path between Clevedon and Portishead, North Somerset, there are lovely woodlands, but not all of these are open to everyone. This one is privately owned, yet I’ve never seen anyone enjoying this area.

I found myself feeling annoyed they were keeping it to themselves – surely trees and greenery are for all of us? But then thought about how I would feel if that rule applied to my own tiny garden. Imagine looking out of your bedroom window to see a family picnicking on your lawn below. The smaller the space, the weirder and more intense that would be.

How could you persuade them to leave? Something about this is so absurd it hovers between comedy and horror.

Can you turn this into a story or other creative work?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.