Writing prompt – candle

Horse Chestnut candles. White and pink towers of flowers against green leaves_Photo by Judy Darley

I once wrote a story inspired by the sight and smell of horse chestnut candles, those fragrant towers of flowers that bloom extravagantly at this time of year. In ‘Reaching Branches’ the ghostly scent of a tree that no longer stands brings strangers together.

You can read it in my collection The Stairs are a Snowcapped Mountain.

The pollen and nectar of these flowers are incredibly important to bees, hover flies and other pollinators. I love the idea of an aroma being such a strong presence that it has the power to change a community for the better even after the blooms are long gone.

Can you create a story about a community being enhanced, or destroyed, by something that initially seems insignificant?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Novella review – A Tricky Dance by Diane Simmons

A Tricky Dance Cover. Shows figures dancing in a swirl of red and blueContained within just forty pages, Diane Simmons’ novella-in-flash portrays a 1970s childhood and adolescence that shines with possibilities. Exploring the ways we discover, confound or eschew our assumed paths through life, Diane introduces us to Elspeth, not the richest and maybe not the smartest, the most popular or the prettiest, but very much the star of her own story.

Diane seeds in the important details with a deft hand. In the second story, ‘Things in Common’, we learn that new girl Lorna “doesn’t mention her dad. Maybe she’s not got one. It’d be great not to be the only one in our class without a dad.”

The slim volume shimmies with what isn’t, who hasn’t and what can’t possibly be, with dreams held close to protect them from being quashed with mockery. This is a community where it doesn’t do to let others know you’re bolshy enough to crave the stars, as Rory, the one person who truly seems to see Elspeth for all wonder she contains, discovers when he’s reckless enough to admit to wanting to be an astronaut. “‘We don’t have rockets in Scotland, stupit!’ Jennifer sneered at him when he gave his answer. ‘We’re no America!’”

Elspeth wisely keeps her dreams to herself, for now.

This is a place and time where liking (or pretending to like) the right Bay City Roller sits alongside the practice of “guising” – going from house to house to earn some pennies with a dance or a song.

For Elspeth, ballet lessons seem as far out of reach as the moon, as she counts the coins in her piggy bank, “calculate what I’ll need for Guides, for the school trip to Edinburgh Castle, for my mum’s birthday next week. Maybe if I stopped Guides, sold my uniform, scrounged a few quid off Mum… And then I remember the hole in my school shoes, remember Mum’s face when I told her.”

There’s a huge amount of power in this matter-of-fact, uncomplaining tone. Elspeth is determined to find a way to dance, to get on and fit in, despite the challenges she faces, and that makes her hugely appealing as a protagonist.

In the early stories, the loneliness and treachery of playground rivalries and betrayals take centre stage, but before long Elspeth’s spirit and determination grow unmistakable.

The steadiness to the prose keeps you rooted in Elspeth’s world, where extra paper rounds and hand-me-down dancing shoes provide opportunities. Small triumphs come in the form of mastering Pythagoras, while letters written to the Jackie Magazine advice page manifest gifts as crucial and magical as any glass slippers.

Elspeth’s quiet confidence elevates these interlinked tales. As she heads to the football field and notice that one of the lads, Ewan, has the ball, she notes: “He always has the ball. And he’s always Jennifer’s dancing partner. But me and Ewan hang out some nights and play football – I bet he’d rather dance with me.”

The language pops throughout, painting Elspeth and her classmates in your mind’s eye as vividly as any description could. Filmic and absorbing, I felt I’d streamed a mini-series and binged it in one sitting, and was now desperate for Season 2 to drop.

A Tricky Dance by Diane Simmons is available to purchase here.

This book was given to me in exchange for a fair review.

What are you reading? I’d love to know. I’m always happy to receive reviews of books, art, theatre and film. To submit or suggest a review, please send an email to judydarley (at) iCloud.com.

Writing prompt – real estate

Tree house in horse chestnut tree_Photo by Judy Darley

Exploring my new home town in January, I strode up hill to an area of ‘mini’ Gothic mansions valued at £1m+. The property that caught my eye, however, was a gorgeous treehouse with a seaview.

Now horse chestnut leaves are flourishing that may obscure the view, and some prickly conkers could soon invade this cosy space, but in my heart I still covet this space.

Is there a type of home that fills your inner (or outer) child with wistfulness or glee? A caravan, cave or palace perhaps? Can you turn this yearning into a tale?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Enter the Bridport Prize 2024

Pebble man by Judy DarleyThe Bridport Prize, one of the UK’s most prestigious writing competitions, is currently seeking your short stories, flash fiction, poems and debut novels.

The deadline for all competition entries is 31st May 2024.

All entries are judged anonymously. To avoid disqualification, make sure you do not include your name, address, phone number, email, website, twitter handle etc on the document or in the file name.

Poems may be up to 42 lines in length (not including the title). There is no minimum line count. The entry fee is £12. The winning poet will receive £5,000.

Short stories may be up to 5,000 words long. The entry fee is £14. The winning short story writer will receive £5,000.

Flash fiction may be up to 250 words long. The entry fee is £11. The winning flash fiction writer will receive £1,000.

Novel extracts must be between 5,000 and 8,000 words long taken from the opening chapters. You must also supply a 300-word synopsis, which should be the first page of your entry. The fee is £24.

First prize is £1,500 plus mentoring by The Literary Consultancy and consultations with literary agent AM Heath and publisher Headline.

Memoir extracts must be between 5,000 and 8,000 words. You must also supply a 300 word overview. The fee is £24.

Bridport Prize judges

Liz Berry is the poetry judge. Liz is an award-winning poet and author of critically acclaimed collections Black Country (Chatto); The Republic of Motherhood (Chatto); The Dereliction (Hercules Editions) and The Home Child (Chatto), a novel in verse. Her poem Homing is part of the GCSE English syllabus.

Wendy Erskine is the short story judge. Wendy is a Fellow of the Royal Society of Literature, an interviewer and broadcaster. She has published two short story collections Sweet Home and Dance Move with Stinging Fly Press and Picador. A past Seamus Heaney Fellow at Queen’s University Belfast, she is a secondary school teacher.

Jasmine Sawyers is the flash fiction judge. Jasmine is a Kundiman fellow and Indiana University MFA alum. Their work has won awards from Ploughshares, NANO Fiction, Fractured Lit and Press 53, appearing in Norton’s Flash Fiction America, Best Microfiction, SmokeLong Quarterly and Wigleaf. Their Anchored World book was a PEN finalist.

Ross Raisin is judging novel entries. Ross has written four novels: A Hunger, A Natural, Waterline and God’s Own Country. His work has won and been shortlisted for over ten literary awards. He won the Sunday Times Young Writer of the Year award and was named the Best of Young British Novelists on Granta’s once in a decade list.

News of the Bridport Prize Memoir competition coming soon.

Don’t forget to check out the Writers’ Room on the Bridport Prize website for resources and inspiration.

Find full details and enter your creative works at www.bridportprize.org.uk. And don’t forget to sign up for their newsletter full of useful tips and inspiration.

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud(dot)com.

Book review – Each of Us a Petal by Amanda Huggins

Whatever season you choose to read, or give, these stories by Amanda Huggins, the gently tended sentences will reward you with a deep sense of connection with nature. Each is a portrait of a character treading carefully through their own personal emotional landscape, set against the sensorial wealth of Japan. Amanda candidly reveals her own fervour for this country in the collection’s foreword and closing essay. Once you start reading the stories, you’ll find the author’s enduring interest in and passion for this country and the people who live or visit it seeping under your skin.

Yearning is portrayed as the enduring human condition, with hints of loneliness and solace whispered in the most enticing settings where hints of Japanese folklore occasionally wriggle into the heart of contemporary tales.

These strands weave together exquisitely in An Unfamiliar Landscape, where we explore a mountainous wilderness with protagonist Sophia: “Dropped into the silence, every noise had a clear meaning, each sound demanded her attention. She was finally connected.”

The remedy for loneliness, it seems, is to be outside amid the beauty of nature.

This idea is reiterated in The Same Pretty Eyes, as protagonist Edie decides to step outside “to salvage something beautiful from the tail end of the day. That was all she wanted: a few moments in the mountain air, the smell of damp bark, the darkening night, the first faint stars.”

In the single-page story Sparrow Footprints, Amanda captures the sweet melancholy lingering in the words unspoken and demonstrates the power of white space on the page. It’s an example the author’s powers of constraint, with every sentence carved and stacked to build into a story’s perfect range. She is the master of crafting and presenting a moment’s interaction between two people, imbuing the most seemingly straightforward setting with drops of emotion that ripple our far beyond the edges of the scene.

In several of the tales, Amanda gifts us artfully understated moments with the bitter-sweet aftertaste of  Kazuo Ishiguro’s The Remains of the Day.

From the love embodied in a jar of sweet bean jam to the precision of raked gravel the stories chime with our expectations of Japan while delicately breathing life into the scenes and characters. These stories dive far deeper than the surface clichés and show us the respect of the author through the aspects she chooses to illustrate her themes. You’ll emerge with all your senses tingling from the pleasures of relishing minor details, from a simple cup of tea to a fleeting interaction with someone, or somewhere, with the potential to be the love of your life.

Following the closure of Victorina Press, you can buy signed copies of ‘Each of Us a Petal’ directly from the author.

This book was given to me in exchange for a fair review.

What are you reading? I’d love to know. I’m always happy to receive reviews of books, art, theatre and film. To submit or suggest a review, please send an email to judydarley (at) iCloud.com.

Writing prompt – Oh, duck

Duck and ducklings_Photo by Judy Darley

As I meander through the streets of my North Somerset town, I occasionally glance into back gardens in case there’s a dog or cat to say hello.

This time I got more than I bargained for as I spotted a female mallard, then realised she was surrounded by tiny ducklings. As the mother duck saw me, she quickly ushered them between the slats in the wooden fence, up the footpath and onto the pavement. They waddled off roughly in the direction of the nearest river, cheeping and quacking all the way.

Where did they hatch in such a human neighbourhood? What brought them to this doorstep? Can you turn this into a tale that explores how we live alongside wildlife, even when we’re not aware of sharing our streets and, as in this case, gardens?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Writing prompt – comma

Comma butterfly1. Photo by Judy Darley

I encountered this gorgeous butterfly sunbathing on a patch of mud beside a river. It seems like an unimpressive patch of land, and yet this butterfly, known endearingly as a comma, found exactly what it needed here. In punctuation, commas offer a pause and a moment to simply breathe, which makes this sighting particularly apt.

I love how its wings look storm-torn or artfully picot-edged, depending on your viewpoint.

I looked up the species on the Butterfly Conservation website, where it states “Polygonia c-album, the comma, is a food generalist butterfly species belonging to the family Nymphalidae.”

It also says: “The species has a flexible life cycle, which allows it to capitalize on favourable weather conditions. However, the most remarkable feature of the Comma has been its severe decline in the twentieth century and subsequent comeback. It is now widespread in southern Britain and its range is expanding northwards.”

This adaptability must have helped in its survival story. What can we learn from this? Can you harness this as a fluttering off point for a hopeful story or other creative work?

In the meantime, I’m looking forward to spotting my first semi-colon butterfly or ellipsis butterfly…

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Writing prompt – gulls

Gulls over Clevedon Pier_Photo by Judy Darley

This spring has been so unsettled – some days are calm and sunny, while others storm from dawn to dusk and beyond. While smaller birds like sparrows take shelter in coastal bushes, these gulls are riding the rioting wind and look like they’re loving every moment.

Add in a human with a bag full of birdseed, and the mayhem increases.

Can you imagine yourself as a gull, a sparrow, the person with food, or a bystander? Why not use this cast to create tumultuous tale?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Join Writers & Artists’ ‘Writing Your Children’s Book’ course

Climbing by Judy Darley

Do you have a passion for writing for children? The folks at Writers & Artists are hosting an online Writing Your Children’s Book course, taking place from 8th May 2024 6:30pm to 12th June 2024, with sessions lasting from 6.30pm to 8pm

The course costs £350, and will be taught by Lesley Parr, the author of three novels for children. Her debut, The Valley of Lost Secrets, was published in 2021 and was both a Waterstones Book of the Month and longlisted for the CILIP Carnegie Medal. It won the Tir na n-Og Award, the King’s School Chester Book Award and the North Somerset Teachers’ Book Award, as well as being shortlisted for many others.

Where the River Takes Us is described by Waterstones as “an engrossing, character-driven tale of urban legends and personal discovery set during the era of the three-day week of 1974.”

They say: “The stories we read when we are young shape us. This May, join us for a six-week online course (including a reading week) to help develop your craft and work towards the publication of your children’s book.”

The course will explore creating memorable characters, world-building and structure, as well as offering insights into the children’s book market and how to improve your chances of getting your work published.

The course will suit children’s fiction, middle-grade and YA authors* at all stages of their writing journey, whether you have an initial idea and want to know where to start, or have a full draft and need help with revising and making it the best it can possibly be.

Sessions will run online via video conferencing software, with homework assignment deadlines for the following week.

All attendees will receive a complimentary copy of the latest edition of the Children’s Writers’ & Artists’ Yearbook as well as Lesley’s latest book.

Schedule

Week One: The Children’s Book World

Wednesday 8th May

  • What it is and how your writing fits in
  • Age ranges
  • Word counts and content
  • Themes, trends and genres

Week Two: Getting Started and Keeping Going

Wednesday 15th May

  • To plan or not to plan
  • Stimulating ideas
  • Ways to get unstuck
  • Building confidence
  • Finding a community of writers

Week Three: Character Development

Wednesday 22nd May

  • Creating memorable and believable characters
  • Viewpoints
  • Authorial and character voice
  • Dialogue
  • Character motivation

Week Four: Reading Week

Wednesday 29th May

This will not be a teaching week. Instead, students will have an opportunity to read a short children’s book set by Lesley, and encouraged to work on their writing, prompted by this.

Week Five: The Story

Wednesday 5th June

  • The messy first draft
  • Plot and structure
  • Settings/ worldbuilding
  • Pace

Week Six: Shaping up for Publication

Wednesday 12th June

  • Editing
  • Query package
  • Improving your chances
  • Synopsis

Book your spot here: https://www.writersandartists.co.uk/events-and-courses/writing-your-childrens-book-2024

Got an event, challenge, competition, opportunity or call for submissions you’d like to draw attention to? Send me an email at JudyDarley (@) iCloud (dot) com.

Writing prompt – afoot

Tree foot. Photo by Judy Darley

Trees are magnificent natural sculptors. My sister recently shared a photo of a trunk with one glorious moss-covered ear. I’ll take that ear and raise it with this rooted foot contemplating a Shakespeare-esque or Tolkien-worthy march through the woods in North Somerset. Or perhaps I’ve accidentally taken a photo of Roald Dahl’s BFG without his slippers on, and he really needs to trim his toenails.

Whatever the truth, something’s afoot…

Can you let your imagination run free and turn this into a magical tale?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.