The Fiction Desk seeks ghost stories

Arnoa Vale Cemetery cr Judy DarleyGot a spooky tale to share? In these early days of the year with so many hours to each dark night, The Fiction Desk invites you to seek a home for your spooky scribblings by submitting an entry to their annual call for ghost stories of 1,000 to 10,000 words.

The deadline for entries is 31st January 2024.

The editors encourage you to have a play to discover your own definition of ‘ghost story.’

They say: “It can mean a lot of different things, from an encounter with an actual phantom in the style of classic ghost stories, to more unusual supernatural phenomena and unexplained events. All types of story are welcome, so feel free to experiment: if you stray too far from the supernatural, we’ll still read it as a general submission. Keep in mind that our readership (and by extension our editor) may be more likely to respond well to psychological chills and unexplained mysteries than in-your-face gore.”

They pay £25 per thousand words for stories they publish (eg £100 for a 4,000 word story, or £150 for a 6,000 word story). Contributors also receive two complimentary paperback copies. The stories they publish are also eligible to enter the Writer’s Award, a cash prize of £100 for the best story in each volume, as judged by the contributors.

Rules of this call for submissions

Entries should be between 1,000 and 10,000 words in length. Most of the stories they publish are between about 2,000 and 7,000 words.

To cover admin costs, submission fees are £4 per story. Stories should be submitted online.

You might find it helpful to take a look at their previous ghost story anthologies.

Find full details of how to submit your ghost stories here.

Got an event, challenge, competition, new venture or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud (dot) com.

Writing prompt – cave

Ladye Bay cave. Photo by Judy Darley

This small cave provides a surprising amount of shelter during rain storms that blow in over a local beach. Stepping into it just a foot of two, I heard all sounds recede and felt the peace of this shallow space.

The sides and internal roof are sandstone, and you can see the foundations of a walkway above, a reminder that this place straddles both the tame and wild.

Who or what might seek refuge here, and why? What other kinds of shelters come to mind that could form the setting for a tale?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Enter the Fractured Lit Ghost, Fable and Fractured Fairy Tales prize

The Fractured Lit team urges you to dig into the darkest recesses of your imagination to write stories of ghosts, fables, and fractured fairy tales in 1,000 words or fewer.

The deadline is 4th February 2024.

Guest Judge Aimee Bender will choose three prize winners from a shortlist. The winner of this prize will receive $3,000 and publication, while the 2nd and 3rd place winners will receive publication plus $300 and $200, respectively. All entries will be considered for publication.

They say: Whichever tradition you choose, make sure you find a new way to approach it, to twist and discombobulate it, so it pushes us away from the mundane and into the strange or uncanny. Transport us from the here and now to a new land of discovery, a fresh way of being entertained that embraces all of the ways we show our humanness.”

A $20 reading fee allows you up to two stories of 1,000 words or fewer each per entry.

Aimee Bender is the author of six books: The Girl in the Flammable Skirt (1998), which was an NY Times Notable Book; An Invisible Sign of My Own (2000), which was an LA Times pick of the year; Willful Creatures (2005), which was nominated by The Believer as one of the best books of the year; The Particular Sadness of Lemon Cake (2010), which won the SCIBA award for best fiction, and an Alex Award; The Color Master (2013), a NY Times Notable Book for the year; and her latest novel, The Butterfly Lampshade (July 2020), which was longlisted for the PEN/Jean Stein Award. Her books have been translated into sixteen languages. Her short fiction has been published in Granta, GQ, Harper’s, Tin House, McSweeney’s, The Paris Review, and more, as well as heard on PRI’s “This American Life” and “Selected Shorts.”

Find full details of how to enter here: https://fracturedlit.com/fractured-lit-ghost-fable-and-fractured-fairy-tales-prize/ 

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud (dot) com.

Writing prompt – rig

Oil rig at Clevedon Marine Lake. Photo by Judy Darley. Taken on New Year's Day 2024. Stormy skies above and swimmer just visible in foreground.As countless swimmers and spectators gathered at Clevedon Marine Lake on New Year’s Dave for the annual Big Dip, a vast structure drifted by. Like an industrial version of a child’s sandcastle, an oil rig floated past the morning’s revelries like a sea creature roused to curiosity by the shrieks. You can just see an uncommonly serene swimmer inside the pool’s perimeter.

These structures drill the seabed for the petroleum and gas that fuel our modern lives, and once decommissioned need to be dismantled, or become an art installation like Weston Super Mare’s See Monster.

What will be the fate of this one? Thousands of these edifices stand in seas around the globe. Can you devise a story or art work touching on the outcome for one? Could it be transformed into something beautiful that aids rather than harms marine life?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Writerly resolutions for 2024

Spring crocus cr Judy DarleyI publish a version of this post almost every year, but I find it always fills me with hope and determination. As we edge into the greyest month of the year, this feels like the ideal time to take stock and see what’s working or not working in your creative life.

But this I mean not necessarily whether you’re creating and selling more, but, rather, whether the moments you can find to write, paint or whatever creative forms you choose continue to satisfy you, and whether you feel you’re making progress, whatever that may mean to you.

Before continuing, I must confess, I rarely make new year’s resolutions as such. To me, they seem at best like a form of procrastination (‘oh, I’ll start doing that in Jan’), at worst a way of setting yourself up to fail. But it is a good time to look at how your life is going and see if there’s anything you need to change to stay on or get back on track.

It’s also a fab way to lay the foundations for a new habit that will pay dividends in years to come. Here are five that have served me well in the past.

1. Write whenever you can find the time

In 2012 I set myself the challenge of writing at least one short story every month, which is something I did without fail every month until 2017, by which time the habit was well and truly entrenched. I found it a great way to keep those creative muscles taut and ready for action.

When times are busy and stress is high, adding something to your to-do list can feel counter-intuitive. But whenever I do focus on creating something, whether that’s a sentence, a full flash, or even editing an existing paragraph, I emerge feeling brighter and lighter and a little bit sunnier. My aim now is to maintain, respect and nurture writing as an ingrained part of my everyday life.

This fuel keeps me going even when I don’t have the chance to spend as much time dreaming up new characters and worlds as I like. Writing sustains me in a way I’ve only gradually come to understand.

2. Submit regularly

A few years before that I set about ensuring I submitted at least four works of creative writing somewhere each month, which I also continue. The challenge is flexible enough not to cause undue stress (some months I submit all four pieces in the same week then forget all about them for the rest of the month; other months I’ll find I’ve submitted eight by day 30), and also ensures that whenever I receive a rejection, part of me breathes a quiet sigh of relief – now I can send that piece off elsewhere to fulfil part of the current month’s quota.

It helps me stay positive, because for every rejection, there’s a healthy handful of tales still out there dreaming big. And when I get an acceptance, it’s a lovely surprise, because by continually sending out creative pieces I’m never quite clear what’s out there, and therefore not too focused on any one thing.

Which brings me to the third resolution.

3. Stay organised

Around the same time I started sending out four and more stories each month, I set up a simple spreadsheet to help me keep track of them all.

This helps my writing in two ways, firstly, by ensuring I know what I’ve sent where and whether they’ve responded, and secondly, by distancing me from the process emotionally.

By transforming all these acts of hope into columns and rows, I save myself from heartache. Each time a email or post out a piece of writing, I enter its name into the spreadsheet along with the details of where I’ve sent it and the date. Then, when it comes back, I colour that row according to the response – one colour for ‘no thanks’, one for ‘no, but positive feedback’ and one for ‘yes please!’

It all provides an immense sense of productivity, without too much effort at all, which in turn helps me stay motivated. And I’m happy to say that over the years the colour dedicated to ‘yes please’ is infiltrating the worksheets more and more.

4. and 5. Finally, pledge simply to celebrate even the smallest literary successes, and relish the pleasure of writing for its own sake. Lovely.

What works for you?

Writing prompt – dip

The Sea is Still the Sea_by Judy Darley

The sea is still the sea even if it’s contained. Clevedon’s Marine Lake welcomes waves, brave swimmers and the occasional bobbing jellyfish. There’s even an annual New Year’s dip at 11am to embrace 2024 with a breathtaking adrenalin-boosting splash in aid of Marlens, the charity who manage and maintain the pool. Other charities are also getting involved and asking for donations from folks daring to join in.

On most winter’s days, however, you could be the only swimmer – just you, the saltwater and the sky.

Could you make this the setting for an unexpected meeting? Who might you encounter here? What peril could bond two people here?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Writing prompt – sparkle

Sparkle street. Photo by Judy DarleyJPGWe recently moved to a new home in a different town and have been heartened by the volume of festive lights. It all feels very welcoming!

But imagine if January comes and goes, then February and March, and the Christmas lights remain?

What if it turns out we’ve accidentally moved to a town where it’s always Christmas? How will we fit in? And how will we retain our sanity in the face of festive year-round cheer?

The same premise works just as well for Halloween, Valentines’ Day or any number of seasonal celebrations. Can you turn this idea into an unnerving or comic tale?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Writing prompt – adrift

Floating island in Avon River by Judy Darley

This floating island drifted past on the River Avon. It made me think of how species can travel from landmass to landmass thanks to flood, tide and chance.

I wonder what could have got caught up in this tangle. Might they have been peacefully dozing, only to wake up on their move to a new home?

I love how this castaway seems to float on a sea of clouds, suggesting a voyage not only between landmasses but between worlds.

Can you turn this into a story, or other creative work?

Could this be an opportunity to explore the growing plight of refugees and immigrants?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Writing prompt – pat a cat

Cat graffiti at Bristol Harbour. Photo byy Judy Darley

Bristol is renowned for exceptional graffiti and for its particularly eccentric turns of phrase, which can also be heard across Somerset, Devon, Dorset and Cornwall, including ‘Pat a cat’, an urging to nuzzle a moggy… Ahem, why does that sound rude?

Quite simply, anywhere you stroll in Bristol away from the hectic centre, there’s a high chance you’ll meet a cat seemingly keen for a stroke

This gorgeous artwork appeared at Bristol harbour a while back, and is one of many giant feline portraits to pop up across the city in this style. The attitude of the cat makes me wonder if they’d welcome a pat, though.

The artist who created this work must have had to balance precariously over the murky water, or paint from a boat. What might their motivation have been? Part of me feels it could have been one of the many local cats with inky paws, tempting gullible humans to come in for a stroke and get a scratch!

Can you turn this into a tale?

If you write or create something prompted by this idea, please let me know by emailing judydarley (at) iCloud.com. I’d love to know the creative direction you choose.

Enter The Masters Review chapbook contest

Arnos Vale in the morning frost_by Judy Darley
The Masters Review is inviting submissions to their chapbook contest for emerging writers.

The deadline for entries is 17th December 2023 at midnight PT.

The winning writer will receive $3,000, digital and print manuscript publication, and 75 contributor copies.

Michael Martone, author of almost 30 books and chapbooks, will choose this year’s winner.

Michael  says: “I have always loved chapbooks. The first two books I published were chapbooks. What excites me is when a chapbook takes itself seriously as a literary form –up to something unique and different from other ‘packaging,’ other narrative or lyrical delivery devices — the novel, the short story collection, the novella, etc. (…) I love when a chapbook presents itself on an equal footing as those other forms. Not lesser or better but different, special. Its content is unable to be expressed in any other manner but this compact, shaped-charge of a book.”

Last year’s winner, Coats by Naomi Telushkin, selected by Kim Fu, will be published next spring.

The Masters Review say: “We’re interested in collections of flash fiction, creative nonfiction essays, short stories, and anything in-between. We encourage you to be bold, to experiment with style and form, as long as you stay under 45 pages.”

Find full details heremastersreview.com/chapbook-contest/ 

Got an event, challenge, competition, new venture or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud (dot) com.