Be inspired by a Writing on Water workshop – 30th September

Writing on Water graphic
I’m brimming with excitement about teaming up with brilliant poet Helen Sheppard again to teach our on-ship writing workshop Writing on Water. It will take place from 10am-3.30pm on Saturday 30th September 2023.

Book here.

Whether you write about a raindrop or an ocean, you can harness water as a powerful writing muse.

Join us for a voyage of discovery aboard the historic John Sebastian Lightship, moored in central Bristol, this one-day workshop encourages you to draw inspiration from the setting alongside creative exercises designed to help you find original, meaningful ways to use water in your writing.
There will be plenty of time to write, and no pressure to share.

How do you write about water? Does it trickle? Surge? Roar?

Is it hungry? Foreboding? Volatile? Reflective? Tranquil?

Taking place on Bristol’s atmospheric, historic lightship moored in John Sebastian Quay, this workshop encourages you to draw inspiration from the setting alongside creative exercises designed to help you find original, meaningful ways to use water in your writing.

Whether you write about a raindrop or an ocean, you can harness water as a powerful writing muse.

Start the day gently with readings from your hosts author Judy Darley and poet Helen Sheppard before exploring different ways of using water to shine up themes in your writing, with generative exercises, poetry and prose examples from a variety of writers, and plenty of time to write.

“Judy and Helen led such a supportive and inspiring workshop, with the Lightship as a unique venue. I loved the walk, prompts and time to explore ideas. My story that began on the Lightship went on to win 2nd prize in the Retreat West Flash Fiction Competition!”  Emma Phillips, participant in the first Writing on Water workshop in October 2022.

The day at a glance

10am – 12pm Judy Darley and Helen Sheppard introduce the day with two readings to ease you into the theme of water, followed by creative prompts, generative writing exercises, examples, time to write and the opportunity to share your writing if you wish. Hot drinks and biscuits are included in the ticket price. 

12pm – 1pm Inspiration-gathering harbourside walk (less than a mile in total) with prompts to engage each of your senses, and time for lunch (not included, but lots of options around the venue in Bristol, or bring your own).

1pm – 3pm Generative writing exercises, hot drinks and homemade cake (included in the ticket price), plus the opportunity to work with other writers, and the option to share your writing from the workshop.

3pm – 3.30pm Your chance to ask questions about how to develop your writing, what to do with it next (such as performance or publication), and share feedback on the day’s experiences.

Book your ticket for Writing on Water.

Why write about water?

I’ve been drawn to this mercurial, enigmatic element throughout my writing career, opening my debut short story collection Remember Me To The Bees with a story titled ‘Never seen the Sea’.

Fiction, non-fiction and poetry can all swim into watery themes, whether that’s to add atmosphere, provide a setting or build an evocative metaphor.

As a taster, here’s a splash from ‘Never seen the Sea’ from my short story collection Remember Me to the Bees:

A triangle of blue sharper and brighter than the sky – that was the first of it. Then a tang in her throat like the savoury suck of a chip dipped in salt and vinegar.
As she got closer, other sensations rang through her: a crack and crash like a glass falling and rolling and splintering again and again in a bathroom washbasin; a deep breath in, gasp out shuddering through the shore; the freshness of rain in the air, bursting against her skin from every direction possible.
And the triangle soared, spread out, transforming into a strip that hurtled all the way to the horizon, meeting the sky with a dazzle that forced her to glance away; a size too vast to comprehend; bigger than the confines of her mind could contain.
But more than that was the endless movement, less like one vast thing than a mass of smaller things, heaving, jostling, vying for the surface yet never quite breaking through.

Who will be teaching you?

Judy Darley photo credit Jo Mary Bulter Photography_cropJudy Darley is a fiction writer, journalist and occasional poet from Bristol. Her fiction has been described as ‘shimmeringly strange’, possibly because she can’t stop writing about the infinite fallibilities of the human mind. Judy’s words have been published and performed on BBC radio and harbour walls, as well as in bookshops, museums, cafés, caves, pubs, a disused church and an artist’s studio. Judy is the author of three fiction collections: The Stairs Are a Snowcapped Mountain (Reflex Press), Sky Light Rain (Valley Press) and Remember Me To The Bees (Tangent Books). Find Judy at SkyLightRain.com and on Twitter as @JudyDarley.

Helen Sheppard_cropHelen Sheppard is a Bristol-based writer and worked as a midwife. Her poetry explores themes of birth, health loss, and those whose voices are often unheard. Helen has performed her poetry at Milk Poetry, RTB, Torriano Meeting House and Harvard Medical School. Her poems have been published widely, including These are the Hands. Helen co-runs Satellite of Love Poetry events. Her debut poetry collection Fontanelle was published in 2021 by Burning Eye Books. Helen interviews extraordinary poets for her podcast Health Beat Poets. Find Helen on Twitter as HelenSheppard7 and on Instagram as helensheppard58.

Art worth climbing hills for

Urban Archaelogy 2 By Peter Ford

Urban Archaelogy 2 By Peter Ford

Art On The Hill returns to the Windmill Hill area of south Bristol on 7th-8th October, promising a wealth of exceptional creativity. I’ll be heading to 13 Cotswold Road to ascend the narrow stairs leading to Off-Centre Gallery. Printmaker and curator Peter Ford has long had me entranced with his unique view of the world, and this year he’ll also be joined by artists Dr. Michael McCaldin and Ruth Ander.

Urban Archaeology 1 by Peter Ford

Urban Archaeology 1 by Peter Ford

Other highlights I’m looking forward to include Stephen Mason’s ambiguous photography at 39 Gwilliam Street. Sixty artists have signed up to exhibit on the trail, so there should be plenty to tempt you.

Stephen Mason photography 2

Photography by Stephen Mason

Find full details and the trail map at www.artonthehill.org.uk.

A watery big adventure with Bristol Biennial

Bristol waterways cr Judy DarleyBristol Biennial begins today, with a programme of peculiar, beautiful, imaginative and immersive events taking place across the city.

I’m really happy to have been chosen as one of 12 artists taking part in The Floating, a collaborative writing project taking place on the Bristol’s waterways, and set to culminate in a series of works inspired by the boat journey. Excitingly, these will then be published “in an experimental way” along the harbourside where you’ll be able to see them throughout the week of Bristol Biennial.

The project is being masterminded by graphic designers Conway and Young and writer Amy Spencer. It’s the first time I’ve been involved in anything quite like this, and I’m buzzing with anticipation!

The Floating is just one of an array of fabulously inventive happenings, many of which are free to experience. Find out more about Bristol Biennial and The Floating.

 

Hiding out in Bloom & Curll

Bloom and Curll interior cr Judy Darley

Independent bookshops seem few and far between these days, but if you know where to look and what to look for, you’ll discover they’re far from extinct.One of the finest I know totters on a sweep of road just above Bristol’s Christmas Steps. Currently sans signage, it’s easy to spot thanks to the heaps of books piled inside and out.

This is Bloom & Curll, owned and run by Jason, though occasionally ‘babysat’ by his mum (her words). What a treasure trove this is. Modern classics nestle alongside works be emerging local authors, shiny new volumes next to previously own and beloved texts.

Lanterns hang from the ceiling, toy trains sit ready on tracks (in the adult department, no less), and clocks show a random assortment of times, as though to remind you that inside this shop the only times that truly exist are those mentioned in the passages of the books.

And should you need sustenance to fuel you through your literary treasure hunt, there’s almost always a plate of Jaffa cakes near the till.

My short story collection Remember Me To The Bees recently took up residence at Bloom & Curll, and I find myself both proud, and a little jealous that it gets to spend its days there, waiting to be discovered by some reader seeking a few short stories to transport them in the way Bloom & Curll does me.

Bloom & Curll, 74 Colston Street, BS1 5BB Bristol, United Kingdom.

Remember Me To The Bees at Bloom and Curll