Enter The Queen Mary Wasafiri New Writing Prize

Terra Nostra Tropical plants cr Judy DarleyWasafari magazine invites submissions of Poetry, Fiction and Life Writing for The Queen Mary Wasafiri New Writing Prize.

The prize closes on 1st July 2024 at 5pm BST.

The prize supports writers who have not yet published a book-length work, with no limits on age, gender, nationality, or background. Winners of each category receive a £1,000 cash prize and will be published in Wasafiri’s print magazine. Shortlisted writers will have their work published on the Wasafiri website. All 15 shortlistees and winners will be offered the Chapter and Verse or Free Reads mentoring scheme in partnership with The Literary Consultancy (dependent on eligibility), and a conversation with Nikesh Shukla of The Good Literary Agency to discuss their career progression

The fee is £12 for a single entry and £16 for a double entry. No entry may be more than 3,000 words long.  

Subsidised entry is available for those who would otherwise be unable to enter the prize.  

Shortlisted entrants will be notified in September

Find full details of how to enter at www.wasafiri.org.

About the judges

The chair of judges is Margaret Busby CBE, Hon. FRSL (Nana Akua Ackon) is a major cultural figure around the world. Her career has spanned work as a publisher, editor, interviewer, reviewer, scriptwriter, lyricist, radio and TV presenter, activist and mentor. She has judged prestigious literary prizes, including the Booker Prize, and served on the boards of such organisations as the Royal Literary Fund, Wasafiri magazine, Tomorrow’s Warriors, and the Africa Centre in London. She has been a guest on BBC Radio 4’s Desert Island Discs. In 2023, she was appointed President of English PEN.

Isabel Waidner (fiction judge) is a novelist based in London. Their work includes Corey Fah Does Social Mobility (2023), Sterling Karat Gold (2021), We Are Made of Diamond Stuff (2019), and Gaudy Bauble (2017). They are the winner of the Goldsmiths Prize 2021 and were shortlisted for the Goldsmiths Prize in 2019, the Orwell Prize for Political Fiction in 2022 and the Republic of Consciousness Prize in 2018, 2020 and 2022. They are a co-founder of the event series Queers Read This at the Institute of Contemporary Arts and they are an academic in the School of English and Drama at Queen Mary University of London.

Cristina Rivera Garza (life writing judge) is an author, translator and critic. Recent publications include Liliana’s Invincible Summer(Hogarth, 2023), which was long listed for the National Book Award in nonfiction. The Taiga Syndrome, trans. by Suzanne Jill Levine and Aviva Kana, (Dorothy Project, 2018), won the 2019 Shirley Jackson Award. Grieving. Dispatches from a Wounded Country, trans. by Sarah Booker (The Feminist Press, 2020), was a finalist National Book Critics Circle Award In Criticism. She is M.D. Anderson Distinguished Professor and founder of the PhD Program in Creative Writing in Spanish at the University of Houston, Department of Hispanic Studies, and a MacArthur Fellow 2020-2025.

Meena Kandasamy (poetry judge) is a poet, writer, translator, anti-caste activist and academic based in India. Her extensive corpus includes two poetry collections, Touch (2006) and Ms Militancy (2010), as well as three novels, The Gypsy Goddess (2014), When I Hit You (2017) and Exquisite Cadavers (2019). In 2022, she was elected as a Fellow of the Royal Society of Literature (FRSL) and was also awarded the PEN Hermann Kesten Prize for her writing and work as a ‘fearless fighter for democracy, human rights and the free word.’ Her latest published work is Tomorrow Someone Will Arrest You, a collection of political poetry written over the last decade.

Got an event, challenge, competition or call for submissions you’d like to draw my attention to? Send me an email at judydarley (at) iCloud (dot) com.

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The Commonwealth Foundation seeks tales of healthy communities

Crowd on Welsh Back Bristol. Photo by Judy Darley

adda, the online magazine of the Commonwealth Foundation. is inviting writers to submit creative works of non-fiction, short fiction, short graphic fiction and poetry on the theme of healthy communities.

They ask: “What does health mean to us as individuals and as societies? How does the climate crisis impact our health? What is the relationship between health access for all and justice? How do we imagine a world with health and care at its centre? What if we never got ill? Or if we were all doctors?”

This is a fantastic writing prompt. What issues can you highlight or invent through your words?

They are interested in works that speak creatively to questions around the idea of healthy communities, which might include creative reflections on physical and mental well-being, disability justice, sexual and reproductive rights, LGBTQIA+ healthcare, the art and practice of indigenous medicine, among others.

The deadline for submissions is 4th October 2022 at 23:59 in your time zone. 

To have your work considered, you must be a Commonwealth citizen aged 18 or over.  

Submission guidelines 

Entries should follow the following guidelines:

. Creative non-fiction: 2000-5000 words 

. Short fiction: 2000-5000 words

. Short graphic fiction: finished work of 15-20 pages or potential panels of illustrations (and a rationale) which can be fully developed within a month 

. Poetry: up to 2 poems (50 lines in total).  

Entries must be original and submitted in English, although other languages can form part of the work for context.

Only one submission per writer will be considered. If you plan to submit a fiction piece to the 2023 Commonwealth Short Story Prize, you can send the same work, provided you inform them in the form.  

Previously published work, whether in print or online, in whole or in part, will not be considered. 

Up to 30 pieces will be selected by a team of readers and editors and will be published on  adda  between February and May 2023. Writers whose work is accepted for publications will be paid a  fee.

Find full details of how to submit your work here. 

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley(at)iCloud(dot)com.

Book review – Deep Water by Lu Hersey

I originally wrote and published my review of Deep Water by Lu Hersey in September 2015. I really loved this book and have been awaiting the sequel avidly! The book has just been released in a fresh edition by Tangent Books, so I decided to re-publish the review in support of Lu’s beautiful writing.

Deep Water by Lu HerseyLu Hersey’s debut may have been written with a teen readership in mind, but it transcends the YA category with a tender, eerie tale of marine myths and magic. Lu won the 2013 Mslexia Children’s Novel Writing Award for Deep Water, and the gentle, almost stealthy start belies the thrill and beauty of this book.

Danni is your average 15-year-old with an average family life, or so she thinks until the day she comes home to find her mother missing and a mysterious pool of salt water on the kitchen floor.

Along with cheery sidekick Levi, Danni is packed off to stay with her dad in Cornwall and soon becomes immersed in a world where curses take the form of ‘poppets’, the weather can be charmed with knotted fabric and a select few can take the form of seals when the fancy takes them.

In Cornwall, Danni gets to meet a family member she thought was long deceased, and discovers an inherited trait that will change her life forever – she’s a sea person, and needs to transform into a seal on a regular basis to retain her health and sanity.

Drawing on Cornish Celtic legends, Lu has created a version of the metamorphous stories that’s far removed from the fey prettiness of most mermaid tales – changing is physically excruciating for Danni and a mackerel she consumes while in seal form is painfully thrown up when returned to human physiology. Details like this keep the fantasy elements firmly rooted in reality, and make you invest wholeheartedly in the flawed yet potent core characters.

The underwater scenes are powerfully written – atmospheric and charged with dazzling energy. “Out in the open water, we circle a swarm of ghostly jellyfish with cauliflower-like tentacles that have somehow survived the winter, drifting along on some invisible current. I swim through the darkening water, somersaulting round and round in sheer joy at the sensation and the freedom.”

Continue reading

Enter a Bedtime Story Competition

Ted. By Judy Darley

The lovely folks at Lighthouse, Poole’s Centre for the Arts, are inviting entries of bedtime stories for their competition, inspired by their current series of online Bedtime Stories performed by Dorset artist Michele O’Brien.

They say, “Not only do we think bedtime stories can be the best part of the day for lots of children but also for parents. As part of our ‘It’s All About You!’ #Lockdown themed creative engagement programme we are giving you the opportunity to be creative and write your very own Bedtime Story with the winning story performed by one of our associate artists from Black Cherry Theatre Company.”

There are no age restrictions and you may want to team up with your household and do this as a family project. Stories must be typed and no more than 2500 words

All you have to do is read and comply with the Conditions of Entry, give your story a title and submit it with your name, contact number, email address and social media handles to learning@lighthousepoole.co.uk by midnight on Tuesday 21st July 2020.  

Find full details here.

Entries can be on any subject relevant to a bedtime story and in any style or form and you can enter more than once if you wish.

Worldwide copyright of each entry remains with the author, but Lighthouse Poole has unrestricted rights to publish the winning stories and any extracts from the opening chapters along with any other relevant promotional material.  Lighthouse Poole will commission a Lighthouse Associate Artist to perform at least one of the winning stories which will be uploaded to its social media platforms and website.

Winners will be notified by email on or before 31 July 2020.

Good luck!

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud(dot)com.

Listening to Bees – a short story

The Simple Things March 2015My tale ‘Listening to Bees’ is the bedtime story in the beautiful March issue of The Simple Things magazine. Isn’t that a gorgeous cover? It makes me think of things budding and bursting into bloom, filling the air with fragrance.

I’m really happy to have   ‘Listening to Bees’ published in the mag, not least because the talented Hannah Warren has illustrated the tale.

The story is about a woman trying to reunite an elderly brother his rather eccentric sister, with a scene in Bristol’s Botanic Garden.

In other writing news, my flash fiction Gloss has been published by Visual Verse. You can read it here: http://visualverse.org/submissions/gloss-2/

And on March 19th I’ll be reading one of my short stories at Bristol literary regular, Novel Nights, taking place at The Lansdown. Hope to see you there!