Enter Oxford Flash Fiction Prize 2021

Oxford University buildings. Photo by Judy Darley. Photo of old buildings in the English city of Oxford.Oxford Flash Fiction Prize 2021 invites you to submit your finest flash fiction tale for a chance to get 2021 off to an excellent start.

The deadline is 31 January 2021.

The word limit is 1,000.

  • First prize is £1000.
  • Second prize is £200.
  • Third prize is £100.

Shortlisted entrants will be offered the chance to be published in the end of year digital anthology.

You can choose to enter one flash at £6, two at £10 or three at £14.

A limited number of free entries are available to low-income writers. Find out more here.

Rules of entry

  • All entries must be formatted as a single-spaced word document or PDF.
    Font: Arial, 12pt. This is to standardise entries so that all stories are treated equally. Only entries that are under the 1000-word limit (not including the title) will be accepted.
  • All entries must include the title of the story but not the name or address, or any identifying information of the entrant.
  • This is an international competition, and all entries must be in English.
  • All entries must be the work of the person entering and must not have been published anywhere online (including blogs and websites) or accepted for publication elsewhere. The copyright remains with the author.
  • Entries will not be accepted without payment, and any entries that do not comply with the competition rules will be disqualified.
  • No corrections post-entry can be accepted or refunds given.
  • The results of the competition will be published online and the decision of the judge(s) will be final.
  • The closing date for entries is midnight (UK time) on the 31st January. Winners will be notified by email within six weeks of the closing dates.

Find full details here.

Published stories – October 2020

Photo by MIKHAIL VASILYEV on Unsplash

This photo by Mikhail Vasilyev on Unsplash illustrates my story ‘Kitten Heeled.’

While the COVID-19 pandemic rages on, including within my own home, October has seen a generous number of my short fictions published, which has offered some light in the fog.

Last week, two tales inspired by real life moments found homes. The second, ‘Calamities of Varied Weights‘, is now live at The Daily Drunk. It covers a real day out with my teenage niece and nephew back in February 2020, rainfall, grumpiness and all.

The first, ‘Kitten Heeled‘, has been published by The Art of Everyone. It captures a moment from my childhood. Adam at The Art used a royalty-free photo I supplied, shown at the top of this post.

Uh-Oh Books published their beautiful Wild and Green kids’ magazine featuring my children’s story ‘Grace Under Lockdown‘, about a grey seal coping with noisy, messy humans! Marine Conservation Society helped with insights.
On 5th October, Dream Journal published a teeny tiny pandemic flash fiction inspired by my middle nephew – ‘Ezra Can Stand on One Foot Forever.’
So It Goes: The Literary Journal of the Kurt Vonnegut Museum and Library

Earlier in October, wonderful book post arrived from Indianapolis – the ninth edition of So It Goes: The Literary Journal of the Kurt Vonnegut Museum and Library, containing my hopeful story ‘Reaching Branches‘, which is about a newcomer to a suburb seeking a way to forge a sense of community.

The folks at the journal say: “The journal has become well recognized in the writing and artistic community. This year, we received 267 entries for 65 slots, so the selection process was challenging. Here are a few stats: Of those selected: 41 men, 24 women, and 12 veterans. Fourteen of our contributors are from Indiana; 42 are from out of state; and 9 are international. The journal features 38 poems, 17 prose pieces, 10 photographs, and 9 works of art.”

Extraordinary to have my work selected out of 267 submissions, and as one of only 24 by women and nine from overseas!

To top it all off, today is the book birthday of my short story and flash fiction collection, Sky Light Rain. Happy first birthday, Book 2!

Sky Light Rain by Judy Darley

Book review – Families and Other Natural Disasters by Anita Goveas

Families and Other Natural Disasters by Anita Goveas coverAt first glance, the five sections of Anita Goveas’ collection appear elemental. A closer look rewards with the dawning understanding that the categories are types of natural disaster, with the final two a little more tongue in cheek. Fire, Water, Wind, Love and Families each warn of the emotions contained within, or, more, likely, poised to spill over.

The opening sentence of a collection is crucial in setting the tone for what’s to come. Goveas does this fearlessly, dropping into our laps the unflinching line: “There’s an ancient prophesy that you’ll die by volcano.” What Really Gets You Is the Rising Heat is a story that speaks of the expectations we fight against to forge our own path, even if that does turn out to be directly to the same volcano’s mouth our parents marked for us.

The titles form a poetry of their own, with the second tale warning us from the off that A Pilgrimage Can Be One Way, before enfolding us in ‘packing’ and ‘to do’ lists that contain humour, love and heartache within deftly rendered brevity. It’s the kind of hermit crab flash that hints at tireless hours of crafting.

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Book review – This Alone Could Save Us by Santino Prinzi

This Alone Could Save Us coverDespite the saying that a book shouldn’t be judged by its cover, inevitably, we all do it to some extent. In the case of This Alone Could Save Us, though no doubt completed long before we were up to our necks in global calamities, the cover image by artist Stuart Buck paired with that title feels prescient, and, reader, it delivers.

Story after story, some barely half a page long (one only a sentence), feed our darting minds, offer distraction and comfort.

And, yes, there are flashes of sorrow and regret, but there are also stories here of quiet, quivering joy. One of my favourites is Costume: “I taste salt and camaraderie on my tongue. The wind whips past our skin and the sand flicks behind us as we run towards the waves.”

Exhilaration and triumph rise outwards with those flicks of sand.

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Book review – Seventy Percent Water by Jeanette Sheppard

SeventyPercentWater coverJeanette Sheppard’s debut flash fiction collection brims with sensitively perceived, reflective stories that creep beneath our surfaces, reminding us how drops of water can change a landscape, physically, aesthetically and psychologically.

These compact stories embrace big topics. The shifting boundaries of awareness linked to ageing and dementia recur throughout, like ripples spreading outwards, inexorably.

‘Rattle and Spin’ is a beautiful story of a woman who is growing unrooted from her sense of self, yet retains her dignity. The tale flows with steady momentum from line to line, guiding ‘you’ to treat this woman with the respect she has earnt and discover how much more she is than what you take in at first glance.

“Go on, sit in her chair. She will pull up a seat, make you laugh until your mouth swells ready to burst.”

The last sentence is heartachingly tender.

‘How to Enter Another Galaxy’ is another instructional piece. This time, the subject in for exaltation are those annoyingly futile calls to corporations, while you, the caller, have one hand gripping the phone and the other juggling a cat. Naturally, the intergalactic being you need to speak to is never the one on the end of the line.

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A Flash Flood of Fiction

Weaving Wings by Judy DarleyTomorrow, Saturday 6th June 2020, marks National Flash Fiction Day UK, and I’m thrilled to have one of my stories take part. All day long, flash fiction stories will be published in the Flash Flood, and my tale Weaving Wings, a favourite of mine from my collection Sky Light Rain, will appear at around 8.40am BST.

I’m particularly thrilled as this year, thanks to lockdown, the hard-working team at NFFD headquarters received an unprecedented number of high quality submissions – 1,650 in total!

You can pop in at any time from 00:01 BST on 6th June to dip a toe in the torrent. From the chatter on Twitter it looks like there will be some shining examples of the flash fiction form to sweep you along.

You’re also invited to take part in the The Write-In this year. Throughout Saturday 6th June, the team will publish 24 flash prompts — one every hour from 00:01 to 23:59 BST.

“Submit your responses by 23:59 BST on Sunday 7th June for a chance to be published at The Write-In.  Writers of all levels of experience welcome!”

A short story – Shadows and Shine

The BeautifullestI’m thrilled that my flash fiction story ‘Shadows and Shine’ has been published in The Beautifullest: Pure Slush Vol. 17. It’s a slightly twisted tale of sibling rivalry between two brothers.

Here’s a line from my story:

‘A spare key to the woman’s house hangs in their hallway. He wants to see what happens if he enters while she’s out.’

The publication features flash fiction, poetry and essays by 89.
Various other eBook formats will follow in the coming weeks.

Book review – Scratched Enamel Heart by Amanda Huggins

Scratched Enamel Heart cover_Amanda_HugginsThere’s a conciseness to Amanda Huggins’ writing that makes me think of a stitch being drawn taut – her words pull the core of you to the core of a story until you gasp for breath.

Her Costa Short Story Award shortlisted tale ‘Red’ uses crimson dust to create a vivid, slightly melancholy landscape where a lone stray dog provides the hope, and a memory of better times provide the drive to reach like a scrawny sapling for light. Like Rowe, the protagonist of the preceding story “Where The Sky Starts’, Mollie needs to leave the place she’s supposed to call home or risk being trapped in a life that could suck her beyond sight of all hope, drive and light.

Huggins has a vivid mastery of words that whips up a setting you can virtually walk into, and uses that mastery to construct scenery that weaves the story’s mood around you: “Mollie hated the dark, brooding weight of the house, the trees so dense they held a part of the night’s heart within them even when the sun shone.”

It’s poetically precise and powerful.

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A short story – Rocked Awake

Earthworm by Judy Darley
I’m chuffed to bits that my mini myth Rocked Awake has been published as part of Dear Damsels‘ nature theme.

In the story, a mother attempts to solve the riddle of why her baby daughter is usurped in her crib by wild flora and fauna. Nature’s clues lead her to a fresh interpretation of the changeling myth. 
Here’s a fragment from the centre of the tale:

This morning, it was an earthworm, fleshy and pale, curled into a shape like a shepherd’s crook.Sometimes it wasn’t even a creature that breathed – last week my daughter had been usurped by an acorn.

You can read my full story, and the other fabulous words published by Dear Damsels, here.

Book review – Soul Etchings by Sandra Arnold

SOUL ETCHINGS, SANDRA ARNOLDIn a book of trees, dragonflies and birds, stories flit and alight on wings crafted from printed paper. Each page contains a world of sunlight and shade, many trailing heartbreak, maltreatment or the bruises of being misunderstood,

Author Sandra Arnold’s heroes are strong-willed, sensitive souls who are often spirited away by the end of the page and a half that comprises their world.

As I read, I could visualise each setting vividly, and my head filled with branches of sun-dappled leaves. It reminded me of my own childhood in trees, and of living more inside imaginary worlds than the so-called real world.  Flash fiction is a form that requires immense discipline, and Arnold paints carefully selected words into exquisite scenes: “spider webs shivered like torn lace” and “the sea was polished glass,” and dawn’s many beauties, aglow in Blood of the Stone, include “the first pale notes of birds.’

In The Girl Who Wanted to Fly, our heroine is “breath in the newborn calf.”

Yet running beneath the poetic imagery is a great deal of anger and grief for damaged childhoods. This is a book of lost children, and the people who abuse, bully and drive them away, or who simply lack the power to save them. A yearning to flee flutters throughout, alongside a deep passion for the natural world over the urban.

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