Enter Mslexia’s poetry competitions

Button on Kilve Beach cr Judy DarleyMslexia’s Women’s Poetry Competition and Pamphlet Competition are open for entries of poetry pamphlets and individual poems.

Both competitions have a closing date of 4th December 2023.

Mslexia Poetry Competition

You are invited to submit poems of any length, on any subject. Your £10 entry fee allows you to submit up to three poems.

The judge is Fiona Benson.

The winner of the single poem category will receive £2,000.

The second prize-winner gets £500 and the third prize-winner gets £250.

There’s also a special  Unpublished Poet Prize of £250, which will be awarded to the best poem by an unpublished poet.

The four winners, plus 16 additional finalists, will be published in Mslexia.

The winner and finalists will be announced on 1 March 2024.

Mslexia Pamphlet Competition

You’re invited to submit a collection of up to 20 poems, of up to 24 pages. To be eligible, you must never have had a full-length collection published previously.

The winner of the pamphlet category will receive prize £250, plus publication of the winning pamphlet by Bloodaxe Books. A selected poem from the winning pamphlet will be published in Mslexia.

The judge is Imtiaz Dharker.

The entry fee is £20.

The winner will be announced on 1 September 2024.

You can find full details of how to enter at www.mslexia.co.uk.

Got an event, challenge, competition or call for submissions you’d like to draw attention to? Send an email to judydarley (at) iCloud (dot) com.

Poetry review – Other Women’s Kitchens by Alison Binney

Other Women's Kitchens book coverThe winner of the Mslexia Poetry Pamphlet Competition 2020, the 23 poems in this small but powerful volume capture the frustrations of being gay in a straight-centred world, but also the joys to be found in understanding who you truly are and having the courage to seek and accept love.

Opening with a prose poem titled The way you knew, Alison Binney speaks of the utter innateness of self-knowledge with a light yet poignant touch that rings throughout the pamphlet, making you smile while simultaneously feeling your breath catch in your throat.

Keeping the tone buoyant, Binney launches into Lesbianism by numbers, which resembles a found poem pieced from click bait: “9 awkward things that happen when you’re the only lesbian at work (…) 16 lesbian power couples from history who got shit done…”

The L word digs deeper at a soreness rubbed raw by a thousand unthinking comments and slurs as a child deciphers clues about her own nature. The quietly emotional response to the ‘L word’ of the title spoken as an insult reveal a quiet, burning shame that’s deeply moving: “Later it flicked like a spitball/ from the back of the class, and slipped down the nape of my neck./ If you wiped it away they knew it had stuck./ I kept it under my tongue like a piece of old gum/ brought out to chew in the dark…”

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Poetry review – Bloodlines by Sarah Wimbush

Bloodlines by Sarah WimbushSarah Wimbush won the Mslexia Poetry Pamphlet Competition 2019 with this slim yet seductively insidious collection. Wimbush’s verses creep in under collar and cuff, sending shivers across your scalp.

Weaving in the salt and pepper of Traveller idioms, Wimbush draws us into a journey through her own heritage, where we meet heroes and queens of lanes and fields.

You’ll learn some gorgeous terms along the way: “nose warmer” for pipe, “hedge mumper’ for tramp, and “drum” for road, as well as less familiar words, such as “yog” for fire and “chokka” for shoes. Some felt familiar without me knowing why – “mush” for man, for instance, and “shushti” for rabbit. It all adds to the richness of the telling.

In some poems Wimbush conjures the litany of a life in just a handful of lines, such as with Our Jud, who “rarely missed a fisticuffing up the Old Blue Bell./ And that time calmed the lady’s filly bolting up the road.” Each sentence has the fireside flavour of a blustering anecdote, yet summons facets of courage, heart and honour beside the bravado. Any of us could be proud to be seen as clearly as Wimbush describes Jud.

And yes, there is romance in much of the lustrous imagery, but unfrilled and honest. There’s a nod to the rebellious, the eternally loyal and the larking, with hints of hardship and hard work among revelries.

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