Remember Me The Bees – The Big Clean

The Big Clean cr Louise Boulter

The second story in my debut short story collection Remember Me To the Bees is The Big Clean. An earlier version was published by The View From Here literary magazine. The artwork is by Louise Boulter.

I’ve always been interested in the way different people’s minds work, and at what point those differences become defined as madness. This story takes the point of view of a small boy who is witnessing his mother’s latest ‘episode’ and worrying about how his dad will react when he gets home.

In an homage to earlier tales of women’s madness, such as the outstanding The Yellow Wallpaper by Charlotte Perkins Gilman, the story also contains echoes of the understated sexism of yesteryear.

A short excerpt from The Big Clean

Mum’s gone mad again. That’s why I’m sitting in the tree house. It’s just a few planks of wood nailed together, but it feels safe up here. When the wind blows the branches creak and I imagine I’m on a boat sailing far away. We had an astronomy lesson at Scouts today, so I can use my telescope to navigate by the stars.

Dad’s not home yet, but when he gets back from work I know he’s going to go mad too, not in a crazy way, like Mum, but in a shouty, angry way.

He hates it when Mum gets like this. I wouldn’t mind her madness so much if it wasn’t for the way it makes Dad so cross. Sometimes when she’s mad Mum’s magic to be around. The usual rules disappear and life becomes a game. I never quite know what to expect. Right now though, she’s busy digging up the garden and filling the house with soil. She’s doing it ever so thoroughly, sprinkling a fine layer of earth over every single thing and making the whole house smells damp and dusky, like a cellar. She calls it “the big clean”.

When I walked into the kitchen earlier, she told me to be careful not to get dirty footprints on her nice clean floor, so I tiptoed across the soil to the counter and tried to open the biscuit tin without tipping any of the chocolate-brown mud off. I couldn’t do it though, and half of it fell on the floor in a heap, but Mum just smiled brightly, passed me a custard cream and layered the earth back on top of the tin.

Photo illustration of short story The Big Clean

Remember Me The Bees – Never Seen The Sea

Never Seen The Sea cr Louise BoulterEver wondered where a writer gets their ideas from? It’s something I’m often asked about, so over the next 20 weeks I thought I’d offer you a bit of an insight.

As you may know, the official launch of my short story collection, Remember Me To The Bees, is going to happen in March, and over the coming weeks, I’ll introduce each of the 20 short stories in turn, let you know the inspiration behind them and share a short extract to hopefully whet your appetite.

The first story in the collection is Never Seen The Sea, which tells the story of Sally, who, funnily enough, has never seen the sea. The original seed of it was me trying to imagine how the sea would look to someone who’d never laid eyes on it before, and then I started thinking of the reasons someone might never have had the opportunity to see it for themselves. Living on a tiny island like Britain, it’s a difficult thing to grasp!

I also wanted to think about how not having experienced a thing most people take for granted might colour an individual’s personality – how it might set them apart.

An earlier version of Never Seen The Sea was published in The Love of Looking, an anthology from Scopophilia Publishing, and led directly to me being offered the chance to have my debut collection published.

In case you were wondering, the artwork is by Louise Boulter.

A short excerpt from Never Seen The Sea

Gusts of air buffeted the Fiat as they raced along the motorway. Sally fought the urge to open the window and hang her head out, mouth agape. She’d never felt anything like it before, this sense of wild abandon. No one knew where she was, not even her mother, no one but this man, Paul, this almost stranger, driving the car and her towards the sea.

“So, you’ve never been there?” He’d been disbelieving at first, half watching the road and half gazing at her in what she supposed was amazement. “Not even as a small child?”

“Never,” she said defiantly, for the first time feeling the power in that statement. Rather than flushing with shame, as she usually did when the topic came up, she felt the novelty of her innocence, saw the way he stared into her, a girl who needed educating. She saw the yearning in his cloudy blue eyes when he contemplated being the one to reveal it to her, as though he was showing her the world.

Tintagel beach1

Stories of social media

FriendFollowText coverEarlier this year I had an idea for a story that was prompted by something I saw on Pinterest. Like most writers I know, I spend an inordinate amount of time dabbling on social media sites, giving my brain a rest while trying to untangle that next thorny sentence, plotline or conundrum.

What I saw was a photograph of an owl. Except it wasn’t an owl. It was a cup of milky coffee that someone had dropped two Hula Hoops into. The salt in the crisps and the crisp potato rings created the illusion of an owl’s face.

I loved it, and thought about who I should share it with.

Weirdly enough, a fictional, half-formed character I’d been carrying around for a while, came to mind as the person who would be most glad to see this.

And so the character consolidated, and the story began.

Shortly afterwards I saw a call for submissions from a anthology seeking tales inspired by social media. Editor and writer Shawn Syms was inviting submissions of stories inspired and about all kinds of social media channels for Friend. Follow. Text. #StoriesFromLivingOnline. It seemed too good a chance to miss.

I sent over my tale, called Coffee Owl, and it was selected for inclusion. Very exciting, but even more pleasing, it was being published by prestigious Canadian literary imprint Enfield & Wizenty. My story was only one of two by British writers published in the anthology, and only one of three by none Canadians.

Proud? Me? Just a little. #understatement!

So now Friend. Follow. Text. #StoriesFromLivingOnline is finally out, and is a thing of beauty. You can buy it on Amazon and find out more on the FriendFollowText website.

Pressed Leaves in print

Pressed leaf cr Judy DarleyI’m very excited this week because my short story (actually an extract from a novel-in-progress), Pressed Leaves, has made its way into the pages of gorgeous ‘love life’ magazine The Simple Things, issue 18. The magazine goes on sale today and is packed with delicious ideas for relishing each day, plus, of course, my very short story.

‘Pressed Leaves’ is a moment in time, in which a young girl, Anna, helps her mother clear out the artist’s studio of the grandfather she’s never met. See a midweek writing prompt about creative spaces here.

If you head to any WHSmiths or look online you’ll be able to get a copy of The Simply Things 18, and if you do, make sure you turn to page 77 where my story nestles, waiting to be read.

A fairytale and a ghost story

Mossy tree cr Judy DarleyThis week I received the exciting news that one of my short stories has been chosen to appear on the Enchanted Conversations websites, a fabulous hub of original fairytales and homages to traditional ones.

You can read my story, Sapling, here. The atmospheric image selected by editor & Publisher Kate Wolford is by artist Richard Doyle.

My story begins like this:

I was the only one who saw him. Everyone else, even my mother, it seems, only saw the tree. I lay in the long grass playing with my soldiers who were using the lawn as a jungle. Sunlight fell thick and heavy through the strands of grass, darkness falling briefly as my mother passed. I glanced up to see where she was going – saw her reach the tree, climb the trunk and disappear into the leaves. I gazed, amazed. My mother had never climbed a tree in my life, that I knew of. I stared at the old oak, then heard a rustling, a sharp gasp, and my mother fell. By the time she hit the ground, my father was halfway down the lawn, running full tilt. Yet only I saw the man in the branches, his skin the color and texture of bark, eyes like two bright spaces between the leaves where light leached through.

Read on…

Find out how to write fairytales here.

We’re already into October, and the run up to Halloween. Britain never celebrates this most gruesome of fiestas with as much fervour as I’d like, but this is also the time of year when ghost stories are most successful, so I’m really pleased to have one of mine published by the wonderful Origami Journal.

My tale, Unwanted Guests, was inspired by a rental property I moved into where the cellar was filled with the previous tenant’s possessions – everything from old pots and pans to gymkhana ribbons and old teddy bears – seriously eerie! Why on earth would anyone leave those kinds of things behind? That was the seed – read the result here.

Happy writing news – The Gallery

Grant Bradley Gallery2I’ve had a few pieces of good news recently that I can’t resist sharing here.

Firstly, my flash fiction story ‘This Gallery’ has been selected to appear on Litro.co.uk as their #FridayFlash today – visit http://www.litro.co.uk/category/fiction/flashfriday/ to read it. I’d love to know what you think of it.

The piece rolls in at just 326 words.

In other news, my short story ‘Coffee Owl’ has been accepted for inclusion in an anthology from Canadian literary imprint Enfield & Wizenty called Friend. Follow. Text.

And new print periodical The Germ Magazine are to publish my short story ‘Little Blessings’ in their next issue, due out in June. They describe their content as “fresh, sincere, aesthetically stimulating verse and prose”, so I feel very honoured to have ‘Little Blessings’ featured. That story began, aptly enough, with a germ of an idea, which consolidated with an image in my mind of a box of pink-nosed, white mice abandoned on a park bench. Funny how these things take root!