Book review – With One Eye On The Cows

with-one-eye-on-the-cowsGathering together 137 stellar micro fictions, With One Eye On The Cow: Bath Flash Fiction Volume Four is an anthology full of stamping, harrumphingly insistent words.

I have a particular fondness for slow-burn flashes, by which I mean the ones that burrow in and quietly stop then restart your heart. Not the well-worn trope of a twist in the tail, but the stories that seed in subtle clues that burst into bloom with startling vivacity. Those authors in my opinion have mastered the tricky craft of the short short.

A Kind God by Jesse Sensibar is a particularly fine example, beginning with the sublime and finishing with the prosaic, with a sliver of shock in between.

Elsewhere we rub shoulders with displaced families, and a vastly varied assortment of starting points of PTSD. We encounter the bravura of sexual, awakenings and dawning realisations, and seethe with the knowledge of thoughtless wrongs impossible to undo.

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Submit to The Mechanics’ Institute

London Millennium Footbridge by Judy DarleyThe Mechanics’ Institute Review (MIR) is inviting submissions of short stories, poetry and non-fiction for issue 16 of their print anthology from writers across the UK.

MIR is a literary print and ebook publication that champions the short story as an art form, promoting diversity and opportunity for all while publishing new work of the highest possible standard.

This year they are inviting you to write in response to the word climate. “Are we living in a climate of fear? Is the climate changing? What does it mean to have a climate? We want you to take the temperature and send us your stories, non-fiction and poetry.”

They’re seeking unpublished short stories up to 5,000 words in length, up to three flash-fiction pieces, to a combined total of 2,250 words, a non-fiction piece (creative non-fiction, essays) of up to 5,000 words, or up to six poems, amounting to a maximum of six pages in total.

Only one submission per person per issue is permitted.

Submissions are welcomed from both new and established authors, but you must live in the UK.

The deadline for submissions is 5pm GMT on Friday 15th February 2019.

Find full details, rules and conditions, visit mironline.org/mir15-entry-form/

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Book review – The End

The End coverWe’re often told to begin at the beginning, but in art, as in literature or film, sometimes it’s far more interesting to begin at the end, or, at least, the beginning of the end.

So it is with this upcoming anthology, The End, from the adroit Unthank Books, commissioned by Ashley Stokes, for which authors were invited to respond to the artwork of Nicholas Ruston. Each painting itself uses the words The End, imprinted on shadowy backgrounds that offer the sense of a narrative drawing the close.

With a subhead of Fifteen Endings to Fifteen Paintings, you know you’re not in for the sunniest of rides, but with contributors ranging from Tania Hershman to David Rose and u.v.ray, you’ll want to hold on tight, right till the actual end.

The variety is wonderful. Each story examines a different image, veering off in dazzlingly unexpected directions. Yes, there are deaths, but also near misses, recoveries and quiet moments of realisation.

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