How to use fiction to explore the truth

A Room Swept White pbToday’s guest post comes from bestselling author Sophie Hannah, and explains how authors can use fiction to explore the truth behind controversial subjects, as she did for her novel A Room Swept White.

In the UK there have been several high-profile cases of mothers losing more than one child to cot death and subsequently being accused of murder: Sally Clark, Angela Cannings and Trupti Patel to name just three.

Clark lost two sons to SIDS (Sudden Infant Death Syndrome), and Cannings and Patel each lost three babies. The women protested their innocence, but the dominant view at the time in legal and medical circles seemed to be that it was simply too much of a coincidence for more than one infant from the same family to die an unexplained death; many people believed these babies had been murdered.

Choose a subject with the potential to consume you

One expert witness who testified against both Clark and Cannings, paediatrician Professor Sir Roy Meadow, said that within a single family, ‘One cot death is a tragedy, two is suspicious, three is murder’. This came to be known as ‘Meadow’s Law’.

Clark and Cannings were both convicted of the murders of their babies.  Immediately, campaigns were launched to secure their exoneration and release, on the basis that there was no concrete evidence to prove that either woman was a murderer. The only evidence of murder, supporters argued, was disputed medical evidence. Continue reading

Book Review – A Room Swept White by Sophie Hannah

A Room Swept White pbIn her psychological thriller A Room Swept White, Sophie Hannah examines the contentious subject of guilt and innocence surrounding cot death cases.

A serial killer is targeting women accused of murdering babies. The first victim is Helen Yardley, a woman convicted then acquitted of killing two of her own children, who then went on to campaign for the release of other women in the same circumstances. A mysterious card is found on her body, marked with seemingly meaningless numbers laid out in neat orderly row.

The story is told through the viewpoints of the police involved and a woman named Fliss Benson who has been given the job of making a documentary of the acquitted women, and who has received an card identical to the one left with Helen Yardley. Continue reading